Star Trek was one of the most important television programs of the 1960s. Here Christopher Benedict explores why through the many fascinating characters and plots. It was also a show that Martin Luther King, Junior enjoyed – and one that broke boundaries on race in one very important way.

Leonard Nimoy and William Shatner as Mr. Spock and Captain Kirk on Star Trek. Source: here.

Leonard Nimoy and William Shatner as Mr. Spock and Captain Kirk on Star Trek. Source: here.

Strange New Worlds

Martin Luther King, Junior was, still is, and always shall be remembered and revered for the myriad roles and responsibilities he assumed during a life which was as astonishing for its historical and cultural impact as it was appalling for the barbaric manner in which it was often disturbed and ultimately terminated.

Among his assumed or accepted capacities were preacher, teacher and practitioner of nonviolent resistance, writer, agitator, community organizer, civil rights leader, Nobel Peace Prize winner. And Trekkie?

Even Nichelle Nichols, who played the groundbreaking part of Lieutenant Uhura - Communications Officer aboard the USS Enterprise on the short-lived but beloved original series of Star Trek - could hardly believe it. She would learn of Dr. King’s affinity for Gene Roddenberry’s visionary science fiction program when she found herself at a professional and existential crossroads, acting eventually upon-and revitalized by-personal counsel originating from a most unexpected source. Her peace-keeping mission was no longer relegated simply to the distant and abstract galaxies of Uhura’s 23rd century “where no man has gone before”, but in the very real here and now of the turbulent 1960s where Ms. Nichols could and would have a more direct, forceful, and noble influence.

 

To Boldly Go

Star Trek was not an easy sell. Having signed a development deal with Desilu Productions (started by, and named for, Desi Arnaz and Lucille Ball) Gene Roddenberry submitted a proposal to executives at CBS for an episodic drama modeled after the popular western Wagon Train, transporting the consequent adventures from the American heartland to outer space. Though they were not necessarily contemptuous of science fiction as a genre with prime-time viewership potential, CBS did dismiss Star Trek as “too cerebral” in favor of the more sanitized and banal Lost in Space, a sort of interstellar Leave it to Beaver.

Roddenberry then pitched his concept to NBC which agreed to move forward after overhauling the show’s cast (Spock being the only character retained) due to the dismal reception of the pilot episode called The Cage. Unlike the creators of Lost in Space, Rodenberry was uninterested in formulaic, obtuse entertainment depicting a gentrified cast acting out pointless hijinks for the dubious benefit of injudicious audiences. Indeed, he was hell-bent on crafting an audaciously philosophical and tirelessly optimistic vision of the future which would be both brain-teasing and gut-checking, defiantly challenging racial prejudices, social constructs, and political xenophobia of the day.

“Gene was a man of ideas and ideals,” explains original cast member turned social media sensation George Takei. “Our human past may not have been all good, and neither had the history of his creation, Star Trek. But he had the boldness of spirit to go into a medium-television-famous for mediocrity and uplift it and succeed, against all odds, with idealism.”

To scratch the surface of what Takei describes as Roddenberry’s “world of infinite diversity in infinite combinations”, you need only examine a snapshot of the team gathered aboard the bridge of the Enterprise.

 

A Constellation of Rising Stars: Leonard Nimoy as Spock

Second in command and dogmatically contrary to the swashbuckling James Tiberius Kirk, whose heroics were almost always reactionary and emotion-driven, was Leonard Nimoy’s Mr. Spock, the ship’s Science Officer. His mother an Earth woman and his father Sarek a green-blooded Vulcan, Spock is denigrated as a “half-breed” by an android version of Kirk in the episode What Are Little Girls Made Of? Spock inherited not only Sarek’s pointed ears and perennially arched eyebrows but the predominant Vulcan trait of thinking and acting strictly within the logical boundaries of mathematics and science.

The wrestling match between sensible reason and deliberate speculation which the partly-human Spock must occasionally participate in is reminiscent (as is his physical appearance in a vague fashion) of Abraham Lincoln who grappled with similar ideological conflicts in his speechwriting, policy making, and personal thinking. What later turns out to be a carbon-based copy of Lincoln beams aboard the Enterprise in the Savage Curtain episode (third to last of the original series) and encounters Lt. Uhura to whom he refers as “an enchanting Negress”. Uhura takes no offense, assuring a properly chagrined ‘Lincoln’ that “in our century, we’ve learned not to fear words.” The replicated Emancipator replies, “The foolishness of my century had me apologizing where no offense was given.”

 

Nichelle Nichols as Uhura

The visually striking and multi-talented Nichelle Nichols had modeled, danced in Hugh Heffner’s Playboy Club, traveled extensively as a singer in the ensembles of Duke Ellington and Lionel Hampton, and appeared variously onstage and onscreen. She was featured in Gene Roddenberry’s first series titled, appropriately for the soon-to-be Communications Officer of the Enterprise, The Lieutenant. Interestingly, because Uhura’s makeup swept her hair atop her head and accentuated Nichols’ naturally almond-shaped eyes, she was often mistaken for Asian by people viewing the program on black and white television sets.

 

George Takei as Sulu

The role of Helmsman Hikaru Sulu was filled by George Takei, who was very involved in several early plot lines alongside the show’s central triumvirate of Kirk, Spock and Leonard ‘Bones’ McCoy (“Dammit, Jim, I’m a doctor…”) played memorably by DeForest Kelley. Born Hosato Takei in Los Angeles to Japanese parents, he (at the age of four) and his family were rounded up along with more than 120,000 other Japanese Americans in the wake of the Pearl Harbor attack and interred for five years in a perpetual state of “chaos and confusion” among “rows upon rows of black tar paper-covered Army barracks aligned in military parade precision”, first in Alabama’s Rohwer Relocation Center then Camp Tule Lake back in California.

Prior to navigating the Enterprise out of a succession of hazardous situations among the stars, one of Takei’s first film appearances was an uncredited role as the Japanese steerer who pulverizes Lt. John F. Kennedy’s torpedo boat in PT-109.

 

Walter Koenig as Chekov

Takei’s prolonged absence while filming The Green Berets opposite John Wayne was responsible for the increased screen time given to Walter Koenig, introduced as Ensign Pavel Chekov in Star Trek’s second season. His parents, Isadore and Sarah Koningsberg, were Russian Jews who fled Lithuania for Chicago and ultimately New York where Isadore, a former Communist, found himself subject to scrutiny beneath the red-tinted lens of Joseph McCarthy’s un-American activities microscope. Koenig compared the McCarthy witch-hunts of the 1940s and 50s to “our version of the Spanish Inquisition or Robespierre’s Committee on Public Safety or the shadow councils of South American dictatorships.”

Roddenberry’s addition of a Russian to the cast was a further controversial brushstroke of brilliant multiplicity just as the successful missions of Sputnik and Vostok had given the Soviets the lead in the jingoistic space race, throwing further fuel onto the fire of the still-simmering Cold War. Beyond giving the prematurely balding actor a mop-topped toupee, drawing favorable comparisons among female Trekkers with Davey Jones of the Monkees, and requesting that Koenig over-enunciate an already cartoonish Russian accent (such as swapping W’s for V’s), Roddenberry’s public relations department concocted another puzzling fabrication.

The character of Chekov, according to a press release which was every bit a work of fiction as Star Trek itself, was created to satisfy the call for a Russian cast member proposed by the Soviet newspaper Pravda, a publication which pre-dated the October Revolution but had enjoyed its most immense readership under Lenin’s rule along with the Bolsheviks’ other propaganda sheet of choice Izvestia.       

 

James Doohan as Scotty

James Doohan confessed that he was Canadian with “some Scottish blood in me, but that’s three hundred years ago.” He recalled being asked by Gene Roddenberry during his audition to judge for himself“which of the eight different accents I’ve just done for him would best fit the role of the Chief Engineer. It had better be a Scotsman,” Doohan decided. “They’ve built all the great ships around the world. The Queen Mary, Queen Elizabeth, the Titanic…”

That last example notwithstanding, the Enterprise’s Transporter Engineer adopted the guise of Montgomery Scott, still associated today with the catchphrase “Beam me up, Scotty”. Like “Play it again, Sam”, it is one of those peculiar anomalies of the pop-culture lexicon for having never actually been spoken as quoted. Much to Doohan’s regret, the aforementioned Lincoln-related episode Savage Curtain would be the only opportunity for Scotty to don the traditional Scottish kilt.

 

MLK Rescues Uhura    

Star Trek did not become the mainstream cultural phenomenon that it remains today until after its 1969 cancelation and subsequent network syndication in the 70s. The series suffered, during its inaugural season, from lukewarm critical reaction and poor viewership ratings. It was also nearly altered drastically and for the worse by the potential departure of one of its major cast members.

Nichelle Nichols was routinely given a difficult time by certain security guards on the Paramount lot who pretended not to recognize the unmistakable actress with the intention of denying her access to the show’s soundstage. One afternoon, she was approached covertly by two mailroom employees who apologized for withholding the bulk of her voluminous fan correspondence - which rivaled that of either Leonard Nimoy or William Shatner - at the request of their supervisor who himself was acting on orders handed down from above.

Worse still, she was verbally accosted by a Desilu executive who told her in no uncertain terms following a first-season cast reduction that “If anyone was let go, it should have been you, not Grace Lee,” referring to Grace Lee Whitney who had played Captain Kirk’s personal assistant and hopeful love interest Yeoman Janice Rand until her role was deemed redundant. “Ten of you could never equal one blue-eyed blonde,” was his bigoted analysis.

These events proved the breaking point of the frustration already weighing heavily upon her at being little more than a prop on the ship’s bridge (with the notable exception of getting to sing in two early episodes), exhibiting her shapely legs in a red mini-dress and interminably intoning the line, “Hailing frequencies open, sir.” The last episode of the season having wrapped, Nichelle went to Gene Roddenberry’s office and tendered her resignation, effective immediately.

She attended an NAACP fundraiser the following evening where a fellow guest asked if she could take some time to meet with a big fan. Anticipating a short cordial chat followed by an autograph request or photo opportunity, Nichols was astounded to turn and stand face to face with Martin Luther King, Junior. “Yes, I am that fan,” King beamed, “and I wanted to tell you how important your role is.” He revealed to her that Star Trek was the only television show that he and Coretta allowed the children to stay up late and watch as a family and was completely taken aback by Nichele’s revelation that she was departing the program.

“You cannot and must not,” demanded King. “You have opened a door which must not be allowed to close. You have created a character of dignity and grace and beauty and intelligence. For the first time, people see us as we should be seen, as equals, as intelligent people, as we should be. Remember, you are not important there in spite of your color. You are important there because of your color. This is what Gene Roddenberry has given us.”

Nichols returned to Roddenberry on Monday morning to relay Dr. King’s message and retract her resignation. “God bless that man,” Gene said while fighting back tears. “At least someone sees what I’m trying to achieve.”

 

The Kiss

Before the series wound down to its fateful and unfortunate third season conclusion, it would shock the world with a provocative episode titled Plato’s Stepchildren. It begins in a manner not dissimilar from The Squire of Gothos (wherein Uhura is identified by the French-obsessed alien presence Trelane as “a Nubian prize”) as a landing party consisting of the crew’s principal players is manipulated for the amusement of their nefarious hosts. Here, a Utopian society has been founded on the planet Platonia by its leader Parmen based on the teachings of the ancient Greeks, namely Plato and Socrates.

Lt. Uhura and Nurse Chapel (Roddenberry’s wife Majel) are involuntarily beamed down to Platonia for inclusion in a stage play-equal parts dramatic, romantic, and sadistic-along with Kirk and Spock, all in Greek costume and under the influence of Parmen’s psycho-kinetic control. After Spock and Nurse Chapel have already done so, Kirk and Uhura have no choice but to comply with Parmen’s wish to see them kiss. This is commonly and mistakenly referred to as television’s first inter-racial kiss but the truth of the matter is that the British soap opera Emergency Ward 10 beat Star Trek to the lip-smacking punch four years earlier.

Furthermore, the sequence, as aired, features the second alternate take shot at the insistence of Paramount executives where Shatner pulls a struggling Nichols toward him and their lips do not make direct contact. This measure was taken to placate southern network affiliates who threatened to black out the entire hour based solely on the presentation of ‘the kiss’.

“And even when we shot this compromised version of the scene, I can clearly recall the network suits standing on the set watching us intently,” remembers William Shatner, “making sure that before the two of us performed our simulated kiss, we fought against it intently, making it absolutely clear that in the case of Kirk and Uhura, this was an ‘against their will’ coupling. Completely devoid of any passion, romance, or sexuality.” Nichelle Nichols raged that “It was bullshit! Bullshit! It was simply and clearly racism standing in the door…in suits. Strange how a twenty-third century space opera could be so mired in antiquated hang-ups.”

Regardless, it was a mountain-moving moment in American television and one can only imagine that writer Meyer Dolinsky anticipated the furor this scene would arouse when he scripted the lines of dialogue beginning with Uhura saying, “I’m so frightened, Captain. I’m so very frightened.”

“That’s the way they want you to feel,” Kirk reassures her. “It makes them think that they’re alive.” Uhura then declares affirmatively and defiantly that “I’m thinking of all the times on the Enterprise when I was scared to death…and now they’re making me tremble. But I’m not afraid. I am not afraid.”

 

Down to Earth and Back to Space  

Many cast members happily accepted the challenge to “seek out new life and new civilizations” after they had shed their Starfleet insignia, tri-corders, communicators, and phasers (set to stun, of course).

Nichelle Nichols would use her sci-fi credibility to recruit engineers and astronauts for NASA, specifically appealing to females and minorities. Augmenting the encouragement she had received from Martin Luther King back in 1966, she would be further touched by the words of Whoopi Goldberg who would appear as Guinan on the last four seasons of Star Trek: The Next Generation. Whoopi excitedly conveyed the story to Nichelle of how she had turned on the television as a child and seen Uhura featured prominently on the bridge of the Enterprise, screaming to her mother, “Come quick! Come quick! There’s a black lady on tv and she ain’t no maid.”  

Leonard Nimoy campaigned for the dovish Eugene McCarthy and worked on behalf of the ACLU, Cesar Chavez’s United Farm Workers, and Martin Luther King’s Southern Christian Leadership Conference. One of the songs that appeared on Nimoy’s 1974 double-LP Outer Space/Inner Mind was a track entitled Abraham, Martin, and John, a musical tribute to Lincoln, King, John and Bobby Kennedy.

George Takei, an openly gay man with a decidedly wicked sense of humor, proudly uses his frequent appearances on the Howard Stern Show as well as his various social media platforms to advocate for LGBT rights and same-sex marriage legislation along with his husband Brad. The hit musical Allegiance, starring Takei and based on his experiences in the Japanese internment camps, opened at the Old Globe Theatre in San Diego and has played to great acclaim in several major cities with a recent run at Broadway’s Longacre Theatre.

Suffering terribly from a hellish combination of Parkinson’s, Alzheimer’s, diabetes, and pulmonary disease, James Doohan was honored shortly before his 2005 death with a convention called Beam Me Up One Last Time, Scotty. The keynote speaker was Neil Armstrong who made a rare public appearance to express his gratitude for the inspiration that Star Trek had given him in his quest toward the moon. “I want a Chief Engineer like Montgomery Scott,” Armstrong mused on a hypothetical return to the stars, “because I know Scotty will get the job done and do it right. Even if I often hear him say, ‘But, Captain, I dinna have enough time!’ So, from one old engineer to another, thanks Scotty.” Doohan was cremated after passing away, his ashes successfully beamed up into near-earth orbit in 2012-after two previously failed attempts-aboard the Falcon 9 rocket.

Live Long and Prosper!

 

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Sources

Beyond Uhura: Star Trek and Other Memories by Nichelle Nichols (1994, Putnam)

To the Stars: Star Trek’s Mr. Sulu by George Takei (1994, Simon & Schuster)

Warped Factors: A Neurotic’s Guide to the Universe by Walter Koenig (1997, Taylor Publishing)

Beam Me Up, Scotty by James Doohan with Peter David (1996, Pocket Books)

Star Trek Memories by William Shatner with Chris Kreski (1993, Harper Collins) 

I Am Not Spock by Leonard Nimoy (1975, Celestial Arts)

The Scopes Trial was very possibly the most important of the twentieth century in the US – and has many considerations for today. Here, Edward J. Vinski returns and shares his reflections on Black Lives Matter and Blue Lives Matter in present-day America in the context of the Scopes Trial. You can find out more on the Scopes Trial in Edward’s previous articles over three parts here, here and here.

The Anti-Evolution League at the Scopes Trial. Source: Mike Licht, available here.

The Anti-Evolution League at the Scopes Trial. Source: Mike Licht, available here.

I write this on July 10, 2016, ninety-one years to the day since the so-called Scopes Monkey Trial began. This court case has fascinated me for well over a decade.  I read every book and article I can find about it. I have seen several documentaries. I have watched the dramatization "Inherit the Wind" so often I can almost recite it verbatim. I have thought about it and written about it. I follow new attempts at removing the theory of evolution from the public school classrooms with great interest. Nevertheless, it is only today that I came to a momentous conclusion: We, all of us in the United States of America, may have been wrong about William Jennings Bryan.

Not from a scientific perspective, mind you, because Bryan was no scientist and he often showed his ignorance. He valued scientific achievement for its benefits to humankind, but he had very little understanding of scientific principles. In some instances, his ignorance was nothing short of laughable as in this section from his famous "Prince of Peace" address:

I was eating a piece of watermelon some months ago and was struck with its beauty. I took some of the seeds and dried them and weighed them, and found that it would require some five thousand seeds to weigh a pound; and then I applied mathematics to that forty-pound melon. One of these seeds, put into the ground, when warmed by the sun and moistened by the rain, takes off its coat and goes to work; it gathers from somewhere two hundred thousand times its own weight, and forcing this raw material through a tiny stem, constructs a watermelon...[u]ntil you can explain a watermelon, do not be too sure that you can set limits to the power of the Almighty and say just what He would do or how He would do it. I cannot explain the watermelon, but I eat it and enjoy it (Bryan, 1909).

 

The argument appears to be, in essence, that science is faulty and God exists because William Jennings Bryan did not know where watermelons come from.

 

Bryan’s ignorance

Nowhere was his ignorance more evident than in the Scopes Trial itself. In an astonishing development, defense attorney, Clarence Darrow, called Bryan to the witness stand to answer questions about the Bible. Darrow, however, chose his questions carefully from biblical events that pressed up against the boundaries of science. Thus, Bryan stumbled badly when asked questions about such things as the age of the earth, the length of the days in the Genesis account of creation and how these stories contradicted accepted scientific facts. At best, he did nothing to help his cause. At worst, he played directly into the defense's hands.

Bryan was clearly wrong about evolutionary theory. How, then, have we misunderstood him?

 

Present events

You see, I am also writing this in the wake of a tense week for America. The shooting deaths of black men by police officers in Louisiana and Minnesota were followed a few days later by the shooting deaths of five police officers in Texas. Social media is currently undulating between prayers for the victims, sadness, outrage and anger. In addition, the all too familiar battle lines are once again drawn between Black Lives Matter and Blue Lives Matter.

The names of these movements, however, give a hint of something that Bryan foresaw over nine decades ago: Dehumanization. When we see only the dark skin and the blue uniform, we cannot help but lose sight of what inhabits both - an individual human being. One of Bryan’s greatest arguments for the banning of evolution had nothing to do with science per se. Rather, it was that while science clearly had produced the mechanical marvels of the twentieth century, it had produced no code of morality to keep these marvels in check. Bryan feared that the "survival of the fittest" interpretation of Darwin would lead to eugenics, sterilization, euthanasia and wars of aggression.

 

For evidence of this, we need look no farther than the textbook under scrutiny at the Scopes Trial, George William Hunter's "A Civic Biology". In a lengthy passage, Hunter describes precisely what Bryan feared most:

Hundreds of families [...] exist to-day, spreading disease, immorality, and crime to all parts of this country. The cost to society of such families is very severe. Just as certain animals or plants become parasitic on other plants or animals, these families have become parasitic on society. They not only do harm to others by corrupting, stealing, or spreading disease, but they are actually protected and cared for by the state out of public money. Largely for them the poorhouse and the asylum exist. They take from society, but they give nothing in return. They are true parasites.

If such people were lower animals, we would probably kill them off to prevent them from spreading. Humanity will not allow this, but we do have the remedy of separating the sexes in asylums or other places and in various ways preventing intermarriage and the possibilities of perpetuating such a low and degenerate race. Remedies of this sort have been tried successfully in Europe and are now meeting with success in this country (Hunter, 1914).

 

It is noteworthy that Hunter's book was published in 1914, the very year in which a Great War broke out that would eventually see some smaller, weaker nations swallowed up by larger, stronger ones.

 

War without a moral code?

Bryan worried that the proliferation of evolutionary theory without a proper moral balance would lead humanity to make judgments about those who are fit for life and procreation and those who are not. Those in positions of power could use evolutionary theory as a justification to eliminate those deemed parasitic, troublemakers, or just unpleasant. Had not such philosophies already affected the way we conduct our wars?  Science, Bryan wrote:

Has made war more terrible than it ever was before. Man used to be content to slaughter his fellowmen on a single plan-the earth's surface. Science has taught him to go down into the water and shoot up from below and to go up into the clouds and shoot down from above (Scopes Trial Transcript).

 

No less an authority than the secular evolutionary biologist Stephen Jay Gould seemed to think that Bryan was on to something, writing, "when [Bryan] said that Darwinism had been widely portrayed as a defense of war, domination, and domestic exploitation, he was right" (p. 163). Within a few years of the Trial, Adolf Hitler would show, just how right Bryan was.

 

Understanding others

We see this same Dehumanization in our day when we look at the tragedies of Louisiana, Minnesota and Dallas. Depending on which side we find ourselves supporting, we see either black skin or a blue uniform, but not the person inhabiting them. Even the reasonable-sounding All Lives Matter perspective, while certainly true in the broadest sense, dehumanizes as it removes all traces of personal identity from the equation and ignores the reality faced by individuals of color and of law enforcement on any given day. For all of our advancements as a society, we have never been able to understand the world clearly from the perspective of another. There are those who cannot see how the actions of a white police officer against a black person could possibly be viewed as racist. There are those, on the other hand, who cannot see how such actions could be anything but. I may be able to sympathize with someone else, celebrate with them in triumph and commiserate with them in sorrow, but I can never truly see how they operate in the world and how the world reacts to them. If I cannot do this among my most intimate of friends, how then, can I ever hope to do so with those I know only through the broadest of generalities, which, by their very definition, dehumanize even further? The "you" and "me" of intimacy become the "them" and "us" of separation. Rodney King, the subject of another period of racial tension a generation ago once asked, "can we all get along?" Until we are able to view the world from the perspective of others, to understand them as individual human beings bound up in a history that is both of their own making and also beyond their control, the answer to that question is likely to remain a sad and resounding "no".

William Jennings Bryan did not understand evolutionary theory. His grasp on the scientific method was sketchy at best. He understood people, however. This skill enabled him to become a three-time candidate for President of the United States and one of the most popular public speakers of the twentieth century. His performance at the Trial led to his being labeled a villain, a bully, a buffoon. Maybe his insight went further than we thought, however. Maybe he knew what we would do to each other given only the slightest provocation and with only the slightest scientific justification. Maybe, just maybe, he was more right than we knew.

 

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References

  • Bryan, W.J. (1909). The Prince of Peace. New York: Fleming H. Revel Company.
  • Gould, S.J. (1999). Rocks of Ages: Science and Religion in the Fullness of Life. New York: Ballantine Books.
  • Hunter, G. W. (1914). A Civic Biology Presented in Problems. New York: American Book Company.
  •  Scopes Trial Transcript, 1925

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Independence movements come in different shapes and sizes in different parts of the world. And while many of us are familiar with Vietnam’s anti-colonial history, that is less true of other countries in South-East Asia. Here, Miguel Miranda explains the anti-colonial movement and quest for independence in post-World War Two Indonesia.

Revolutionaries who wanted Indonesian independence. 1946. Source: Tropenmuseum, part of the National Museum of World Cultures. Available here.

Revolutionaries who wanted Indonesian independence. 1946. Source: Tropenmuseum, part of the National Museum of World Cultures. Available here.

Southeast Asia used to be a chaotic map of internecine conflict. This was indeed the prevailing state of affairs when the Portuguese and Dutch arrived in the early 16th century. As the scholarly adventurer Antonio Galvao wrote of the Moluccas’ martial culture, “they are always waging war, they enjoy it. They live and support themselves by it.”

Maritime forays into the Orient, an uncharted expanse whose nations were completely unknown to Europeans, were inspired not by Marco Polo’s tall tales but the raw desire for commodities. Spices, cloves and nutmeg, in particular, were the prizes. The problem was exactly where the precious cloves were to be found—the Moluccas Islands in the Banda Sea.

Owing to competition from Portugal, the Dutch East India Company or the VOC established a firm toehold in Java instead. The sumptuous domain was where petty Sultans and pirates held sway. European arms and technology weren’t as superior as presumed in this setting because local armies had greater numbers and formidable warships. After all, the Portuguese adventurer Fernao Magalhaes and his men were slaughtered in the shores of Mactan. The VOC employed the alternative to force of arms, focusing their energies on cultivating alliances, patronizing local rulers, and building outposts for absorbing exports.

 

The Dutch influence

This changed when the Netherlands consolidated the Dutch East Indies after the brutal Java War ended in 1830. Appointed governors, tasked with running an export-driven economic policy, assumed control of Java, Sumatra, Sulawesi, Papua and Borneo. The Dutch were stern and ruthless masters and every revolt, such as in Aceh, was dealt with by force.

The very idea of Indonesian nationalism took hold in the early 20th century. It even followed a pattern many anti-colonial movements went through, where a so-called intelligentsia educated in Europe began to aspire for political freedom. This ferment produced two seminal figures who would usher Indonesia’s birth: the coldly intellectual Mohammad Hatta, who was more Dutch in his outlook and conduct than Javanese, and Achmed Sukarno, whose own background as an engineer hardly prepared him for a career as professional rebel. Together they formed an interesting partnership, the ideologue and the man of action, and commanded a powerful vehicle for their ideas: the PNI, or Partai Nasional Indonesia.

Japan’s lightning assault on Southeast Asia in 1941 deposed the Dutch colonial government in Batavia, which is present day Jakarta. This brief interlude, complete with the harsh wages of occupation, did galvanize Java’s nationalists. Sukarno himself, long familiar with imprisonment meted by Dutch colonial authorities, was freed by the Japanese. In turn Sukarno didn’t hesitate to solicit aid from his country’s occupiers. His dalliance with Japan extended to the personal realm. A compulsive womanizer, Sukarno’s better half was a Japanese entertainer.

 

Independence?

Towards the end of 1945, with the Imperial Japanese Army having surrendered and ready for demobilization, the nationalists and their allies—hardened by years of guerilla warfare—were poised to reclaim Java. The PNI rallied and with Tokyo’s blessing Sukarno declared a republic on 17 August 1945.

But what followed instead was swift retribution from the Dutch. Cobbling a military from young recruits equipped with Allied Lend Lease and surplus, some 120,000 soldiers were shipped to the Indies to smother the new country. Their activities, which would include prison camps and wholesale slaughter, were officially labeled as “Police Actions.”

The historical record of Indonesia’s “national revolution” remains murky. The available facts form a bare outline lacking in color and drama. Its most critical battle, for example, is a farcical episode in the city of Surabaya where the British—not the Dutch—had to rout the local guerillas who had seized the metropolis to restore order.

Owing to the young republic’s tenacity, a typical stalemate soon prevailed between conventional European armies (the Dutch and the British) garrisoned in the large cities while the local rebels had free reign in the countryside. The fate of Madiun, in East Java, was interesting as it fell to hardcore communists who were then crushed not by the Dutch but the nascent republic’s own troops. In West Java a separate rising under the guise of Darul Islam sought to wage jihad and establish a grand theocracy lasted two decades.

Even the Japanese had a role in the conflict. With a substantial garrison stuck in Java, IJA officers willingly lent arms and equipment to the Indonesian resistance before departing for their homeland. This was done just as the British were relying on Japanese troops to help police the restive colony.

 

The rise of a new leader

Sukarno’s revolution wasn’t an exceptional one. Other eruptions were tearing apart Europe’s aging dominion on foreign territories. The British in Palestine. The French in Vietnam and Algeria. The Belgians in their precious Congo. World War Two may have saved Western civilization, but it ignited small fires among the people suffering under colonialism’s yoke.

Indonesia’s war for independence never had its own Dien Bien Phu where local grit and daring prevailed over European hubris. This didn’t make it any less bloody. It killed more than 100,000 Indonesians and cost the Netherlands several thousand troops along with at least a thousand dead British and Indian soldiers. Rather than Sukarno and the PNI victorious beyond doubt, it was the United Nations who eventually recognized and then restored Indonesia’s independence on 27 December 1949. The Dutch acquiesced owing to their battered economy and withdrew their forces. Rather than usher peace, however, Indonesia’s emergence allowed a dictator in the making to craft grand schemes.

Despite an early fixation on parliamentary democracy in the 1950s, Sukarno eventually steered the PNI toward “guided democracy,” which was really just shorthand for lifelong dictatorship. With a powerful army at his disposal a headlong push to annex Borneo ignited a confrontation with the British in what became the Konfrontasi. Provocations aimed at Singapore and separate invasions of Sulawesi and West Papua enhanced Jakarta’s reputation as a contentious neighbor.

As he leaned closer to Peking and Moscow, Sukarno dreamed of establishing a super state across Southeast Asia. This compelled Washington, DC’s long campaign to unseat him, beginning with a botched covert invasion in 1958 and a full-blown coup d’etat in 1965 that ushered the Suharto era and the horrific purge of Indonesia’s communists.

The only recourse that checked Indonesia’s belligerence was when five ministers, from Jakarta, Singapore, Kuala Lumpur, Manila, and Bangkok, convened in the Thai capital on 8 August 1967 and agreed—on paper—to establish an informal union. The idea came from Indonesia’s Adam Malik, who would go on to serve a brilliant diplomatic career. 50 years later and the Association of Southeast Asian Nations or ASEAN is thriving, albeit still uncomfortable with the challenges posed by what the First World considers “development.”

Indonesia paid dearly for its independence and suffered under two corrupt dictators. Having achieved true democracy it’s exciting to think about whether Indonesia is destined to emerge a peerless regional giant. Could Sukarno’s fever dream become real?

 

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References

http://www.christopherhalemedia.org/2013/05/the-battle-of-surabaya/

http://countrystudies.us/indonesia/16.htm

https://www.culturalsurvival.org/ourpublications/csq/article/west-papua-forgotten-war-unwanted-people

http://dannyreviews.com/h/Indonesian_Revolution.html

http://www.iisg.nl/collections/hatta/intro.php

http://indonesia-dutchcolonialheritage.nl/

http://www.indonesia-investments.com/culture/politics/soekarno-old-order/item179

https://www.rijksmuseum.nl/en/explore-the-collection/timeline-dutch-history/1820-1950-indonesia-and-decolonisation

http://thecreatorsproject.vice.com/blog/unreleased-indonesian-national-revolution-pics

http://www.lowensteyn.com/indonesia/

http://www.nusantara.com/heritage/surabaya.html

http://www.ratical.org/ratville/JFK/Indo58.html

http://www.san.beck.org/20-11-Indonesia1800-1950.html

http://users.skynet.be/network.indonesia/ni4001c10.htm

Just how did the Cold War end?

 

We reveal all in the fascinating conclusion to the Cold War series.

 

The Cold War was international affairs for the second half of the 20th century. Nuclear weapons testing, civil wars in all corners of the globe and the race for economic dominance were all key spheres of the Cold War, although they were just a few elements of a very complex global puzzle. More so than the great battles between Carthage and Rome in Ancient times or the Napoleonic Wars, the Cold War defined our world. But, there was one key difference between the Cold War and earlier major wars. Due to advances in technology and communications, the Cold War touched most countries on earth.

Get the book on Amazon

 

This introduction to the end of the Cold War tells the story of the great clash between the communist Soviet Union and the capitalist USA. It considers events at a time of ever-faster change. Following the relative calm of the Détente years, the world became much more dangerous. After the Soviet invasion of Afghanistan a new and very assertive US president arrived who would seek to radically alter the international order. And soon enough a new Soviet leader would arrive and lead a great change in the international system. The biggest change since World War Two…

 

Get the book on Amazon

 

The topics in the book include:

·      The Soviet invasion of Afghanistan

·      The rise of US President Ronald Reagan and his aggression in the early 1980s

·      How Mikhail Gorbachev became Soviet leader

·      The most important nuclear treaties made during the Cold War

·      The surprising friendship between Ronald Reagan and Mikhail Gorbachev

·      Great internal changes in the Soviet Union and wider Eastern Bloc

·      How the Cold War ended

 

The approximately 90-page book is the perfect complement to the Cold War History audio series that is available as part of the ‘History in 28-minutes’ podcasts.

So come and join the past – get the book now!

Required History

The aim of the 'Required History' book series is to create approachable, succinct written introductions to some of the most interesting topics in history. They are designed for those:

·      That want to quickly learn about some of the world’s major historical events

·      Studying history. The books act as a perfect complement and overview to those undertaking high school and introductory college courses in history

·      Who enjoyed the audio podcasts and want to reinforce and further their knowledge

·      Learning English. The language and level of detail in the books are perfect for those in advanced English classes

All of the Required History books are designed to build on the audio podcasts available on the publisher’s website. They provide an extra layer of detail to the major historical events that the audio podcasts cover.

Rich and powerful people are prone to buying properties in the world’s most attractive places, whether that be the south of France, London or the Hamptons. Here, Christopher Benedict looks at one such property hot spot. He tells the fascinating story of King Zog I of Albania and how he purchased a mansion that he never visited in Long Island.

King Zog I of Albania.

King Zog I of Albania.

The Gold Coast

The handful of hamlets and villages which comprise the Hamptons are collectively associated with Long Island’s go-to getaway spot, second home, or den of iniquity for contemporary celebrities. An all-inclusive VIP playground with a guest list reading like a who’s who of the well to do and the ne’er do wells. Faces familiar from movie screens and television sets, concert stages and the rear flaps of dustjackets. Personalities whose images with accompanying tales of achievement and debauchery alike are routinely spread throughout the pages of Vogue and Variety, Rolling Stone and Sports Illustrated, Fortune and Time.

The Hamptons are a relatively recent phenomenon and not at all relevant to the not too distant past when Long Island’s North Shore was the place to be and be seen (or not be seen, depending upon one’s desire for privacy and seclusion) for those who could afford such ostentatious status symbols as the mansions and sprawling estates built on what came to be known as the Gold Coast between just before the birth of the 20th century with its financial windfall created by the Industrial Revolution and the sobering death knell for the inebriated obliviousness of the Jazz Age (which turned blissfully blind eyes away from the horrific aftershocks of the First World War and flaunted their ill-gotten alcoholic party favors in the absurd face of the Volstead Act) sounded by Black Tuesday and the Great Depression.

Among the original occupants of these opulent, custom-built dwellings were luminous names such as William Vanderbilt, Alfred DuPont, J.P. Morgan, the Guggenheims, Lewis Tiffany, Frank Woolworth, William Robertson Coe, Otto Hermann Kahn, Henry Clay Frick, and John S. Phillips. Sagamore Hill in Oyster Bay served as Theodore Roosevelt’s permanent domicile and ‘Summer White House’ while president. Oscar Hammerstein, W.C. Fields, Ring Lardner, Eugene O’Neill, Groucho and Chico Marx, not to mention their father and mother Sam and Minnie, all maintained addresses up and down the Long Island Sound for varying lengths of time and frequent visitors like Charlie Chaplin, Ethel Barrymore, Dorothy Parker, Herbert Bayard Swope, and Winston Churchill, to name but a few, came and went as they pleased. 

The Gold Coast is most famous for its fictional depiction in The Great Gatsby, authored of course by short-term Great Neck denizen F. Scott Fitzgerald, who lived with Zelda on Long Island from October 1922 through April 1924 and based the novel’s East Egg and West Egg on Port Washington’s Sands Point and Kings Point of the Great Neck peninsula respectively. Lands’ End, the manor many consider to have been Fitzgerald’s inspiration behind Daisy Buchanan’s home in Gatsby, was demolished in 2011, the property sold off for a five-unit sub-division. In fact, it is estimated that fewer than 400 of the approximately 1,200 mansions constructed from the 1890s to the 1930s remain standing, with some functioning today as national landmarks, historic sites, state parks, public gardens, and museums.

It is the dilapidated ruins of a massive structure once known as Knollwood in the Incorporated Village of Muttontown, however, and one of its intended residents in particular that concern us now.

 

Bloody Inauguration

Ahmet Zogu was born to a family of feudal landowners in their Burjaget Castle on October 8, 1859 in the Muslim province of Mati which had established an independence of sorts from its Christian neighbors eight years prior. Albania remained, at the time, under the thumb of the Ottoman Empire and young Ahmet was sent off to begin his studies in Constantinople, an academic endeavor which lasted for all of three years. Indeed, Zogu would live out his entire existence as a functional illiterate. His friend and future foreign diplomat Chartin Sarachi alleged in his unpublished memoirs that “Zog never learned Albanian grammar and…is unable to write a line in the Albanian language. He can write in the old Turkish alphabet, but indeed that very poorly.” Sarachi contends that Zogu had only ever read two or three books, and each of them biographies of Napoleon. Which itself speaks volumes.  

Unlettered though he was, Ahmet would not allow this minor nuisance to thwart his ambition and patriotic fanaticism. At the age of sixteen, Zogu succeeded his deceased father as the Mati Governor and would add his signature to the Albanian Declaration of Independence in 1912. After having volunteered for service in the Great War on the side of Austria-Hungary, Ahmet would return home to a country fallen to disorder amidst a revolving parliamentary door of provisional figureheads, all of which Zogu served in some capacity or other.

From out of this chaos Ahmet ultimately emerged as Prime Minister and initiated several progressive if controversial measures such as converting expansive graveyards into public parks, liberating Muslim women from religious and social restrictions, outlawing polygamy, and drawing a firm line between religion and state. Shortly after being shot at by a student representing a radical group of young Albanian intellectuals who plainly saw tyranny dressed as democracy (one of a supposed 55 assassination attempts, as Albanian legend tells it), Zogu was forced into Yugoslavian exile in early 1924. Backed by a group of paid mercenaries 5,000 strong, he fought his way back across the Albanian border and reached the capital of Tirana on December 24 following two weeks of intense battle and much spilled blood. Ahmet almost immediately proclaimed himself President and made his designation official by virtue of a perfunctory election thrown together the following January. Thus did Zogu become not only Albania’s inaugural President but also the first Muslim sovereign of a European nation.

Chartin Sarachi remarked in his unfinished autobiography that Zogu “liked flattery and expected godlike veneration.” Those who failed to comply with these lofty wishes or in any way opposed his autonomy met with lengthy prison sentences or more decidedly grisly fates, prompting the European press to refer to Zog as “Ivan the Terrible of the Balkans.”

 

The Bizarre King

In the wake of his expulsion for criticizing “the fanatical, cross-bred, cringing, corrupt, face-grinding Beys and Moslems”, Albanian newspaper correspondent J. Swire wrote of Zogu in 1933 that “the alarming thing is that this very able man, the ruler of a very able people, is still so insecurely seated on a rickety throne.” Swire went on to suggest, “His death alone would be enough to provoke the break-up of the army, an explosion among the clans, intervention by land and sea and, possibly, a major war.” The root cause of this diagnosis lay in the fact that the country’s financial situation was not only devoid of equity but wildly lacking in accountability.

Zogu treated the extremely finite resources within Albania’s Treasury Department as a bottomless cookie jar from which he helped himself annually to more than twice his self-allotted £35,000 salary. He cut quite the ostentatious figure in an all-white ensemble of military tunic, feathered Cossack cap, gloves, pants, and patent leather shoes and his paramour Francy, a Viennese cabaret dancer with whom Ahmet became acquainted in Belgrade during his pre-presidential banishment, wore gowns produced by the finest Parisian dressmakers complimented by scores of jewels which, as Chartin Sarachi surmised, would have won the envy of Cleopatra.  

When this malfeasance threatened to unravel into a national economic crisis, Zogu first sought relief from Russia’s ambassador in Vienna who refused to take the matter to Moscow much less any further than the consulate itself. With no Communist assistance forthcoming from the Soviet front, Ahmet turned his attention to Fascist Rome which proved much more receptive to Zogu’s entreaties. Having knowingly bought into the lie with ulterior motives already in mind, Benito Mussolini personally approved a £200,000 loan to help stave off what he was informed to be an imminent revolution. There was more than a scarce element of truth behind Zogu’s ruse, surrounded as he was not only by a discontented general population but by sycophants, illiterates, and traitors which Ahmet proudly yet contemptuously referred to as “my circus.”

The creation of an Albanian National Bank, established and kept solvent by international handouts and headquartered in Rome, was a laughable attempt at legitimacy and necessitated the signing of a formal alliance with Italy in 1927. What followed was the coronation of Zog I, King of the Albanians, in what could only have been an eerie procession. The monarch rode in an open-top automobile flanked by armed cavalry, traveling into Tirana past houses all adorned with Italian-made Albanian flags, inside of which the occupants were ordered to remain. The purpose of this was to keep the streets clear, eliminating any risk of assassination.

 

The Puppet Defies Its Master

If Zog was initially thought of as an easy mark who would exist contentedly and be manipulated effortlessly beneath the boot of Italy, Il Duce had another guess coming, particularly when the Balkan King brazenly rejected four of the seven demands included in a 1933 ultimatum drafted by Mussolini. The disputed points of contention called for “the dismissal of all Albanian high officials not of Italian origin, the removal of English officers commanding the police and their replacement by Italians, the reopening of Catholic schools recently closed by the government, and the replacement of the French school at Kortcha by an Italian school.”     

Zog ran further afoul of Mussolini by subsequently entering into a commercial agreement with Yugoslavia as well as initiating diplomatic relations with the Soviet Union. However, growing financial instability and a resulting small-scale rebellion in the city of Fier in 1935 would force Zog to relent to Mussolini’s ultimatum in order to guarantee the continual flow of money into Albania from Rome. Zog additionally sought to curry favor with his benefactor by publicly protesting the sanctions imposed upon Italy by the League of Nations as a penalty for its annexation of Ethiopia.  

Ironically, it would be another annexation order issued by Mussolini - in 1939 against Albania - which would finally cause the two vainglorious dictators to come to loggerheads. Zog’s denial of Italy as Albania’s military protectorate would be his final act of defiance. Mussolini’s vengeful response arrived in the form of a naval bombardment from the Adriatic Sea which cleared the way for a boots-on-the-ground invasion over the Easter weekend. While the Albanian crown transferred to the head of Italy’s Vittorio Emanuel III, Zog escaped to Greece with his beautiful Hungarian bride Geraldine Apponyi and their infant son, Crown Prince Leka. From there, they re-routed to London where the royal family took sanctuary within the luxurious confines of the Ritz Hotel.

 

Knollwood

The famed Manhattan architectural firm of Hiss and Weeks drafted plans for the immense 60-room stone mansion which was constructed sometime between 1906 and 1920 as the centerpiece of Westbrook Farms, a 260-acre estate in Nassau County on Long Island intended for Charles Hudson who amassed his fortune through dealings on Wall Street as well as in the burgeoning steel industry.   

With the purpose of utilizing Knollwood as a by-proxy Albanian kingdom, the exiled Zog purchased the estate in 1951 for a reported amount of $102,800, which today would equate to slightly less than a million dollars. Pillagers and vandals, fueled by speculation that Zog had completed the transaction by means of rubies and diamonds and already had hidden for him within the mansion by low-level Albanian functionaries his money and multitudinous treasures, looted and destroyed beyond repair the vacant premises.

Never having laid eyes or set foot upon the property, Zog sold it four years later and the Town of Oyster Bay declared the unsafe structure condemned and had it all but leveled to the ground in 1959. Accessible - albeit difficult to find - from hiking trails winding through the present-day Muttontown Preserve, the ruins of Knollwood are still today a popular destination for scavengers and curiosity-seekers who may not even necessarily be privy to the story of the obscure Albanian king who very nearly lived there.

And, so, what of Zog? Rather than Long Island, he and his family relocated to Paris where he died in 1961 and was buried in the Thiais Cemetery. In 2012, the Albanian government - including Zog’s grandson Leka, a political advisor to President Bujar Nashani - commemorated the centennial of the nation’s independence from the Ottoman Empire by having Ahmet Zogu exhumed and repatriated to Tirana.

Committed to a specially built mausoleum, Zog’s remains have fortunately received far more reverential treatment than those of the Gold Coast’s ransacked and bulldozed mansion. 

 

Did you find this article fascinating? If so, tell the world. Tweet about it, share it, or like it by clicking on one of the buttons below.

Sources

King Zog of the Albanians: The Inside Story by Chartin Sarachi (Unfinished and Unpublished Manuscript, 1940)

King Zog’s Albania by J. Swire (Liveright, 1937)

Eastern Europe in the Twentieth Century and After by R.J. Crampton (Routledge, 1997)

In Albania, Mussolini’s Interference (Sunday Times of Perth, Australia-August 27, 1933)

Invasion of Albania by C. Peter Chen (World War II Database)

King Zog I of Albania by Richard Cavendish (History Today, 2014)

Bizarre King Zog’s Remains Repatriated to Albania by Robert Myles (Digital Journal-November 12, 2012)

Stumbling on the Abandoned Ruins of King Zog’s Long Island Estate by Nick Carr (Scouting New York-March 4, 2013)

One of the most important events of the early twentieth century was the collapse of the Chinese Qing Dynasty during the Xinhai Revolution from 1911-12. But what was it and why did this monumental event happen? And was it inevitable? Scarlett Zhu returns to the site and explains all (PS – you can read Scarlett’s earlier article here.)

A battle outside Hankow in the 1911 Chinese Xinhai Revolution. Source: Wellcome Trust, available here.

A battle outside Hankow in the 1911 Chinese Xinhai Revolution. Source: Wellcome Trust, available here.

The imperial court in the last days of the Qing Dynasty was a shadow of its former self.[1] Pressurized by the 1911 Chinese Revolution, on February 12, 1912, the Empress Dowager Longyu, with her young adopted son, the last emperor of China, Pu Yi, signed the abdication papers forcing the young emperor from the Dragon Throne. The act not only ended the Qing Dynasty at its last gasp, but also China’s millennia-long feudal rule. The reasons for the dynasty’s decline are fairly straightforward, but there has been a prolonged debate as to the relative weighting between them. It all boils down to the question of whether the nature of one event was the product of historical inevitability or a once preventable choice, whether the Qing Dynasty was destined to fall or whether it could have been saved. Some scholars argued the decisive turning point was its initial alienated identity, or Emperor Qian Long’s legacy; its internal socio-economic problems towards its final years or invasions from foreign powers. However, the more compelling case seems to be that the influence from Western societies and culture, which turned the once preventable choice into historical inevitability. Inevitability, in a historical context and in this case, would be the moment when the Qing Dynasty was incapable of avoiding the consequences of being overthrown. An assessment on inevitability and various turning points would be the best way to weigh up the importance of these factors.

 

An ethnic minority

It could be argued that the Qing Dynasty’s identity as a regime established by ethnic minorities determined its fate being “doomed from the beginning”. The Qing Dynasty was an empire established by the Manchus, a tribal minority which conquered Beijing in 1644. As Hsu puts it, in the end, "the very fact that the Qing was an alien dynasty continuously evoked Chinese protest in the form of secret society activities and nationalistic racial revolt and revolution."[2] The Qings did spend effort on trying to mitigate the discontent such as keeping the system of rule of the Ming government, promoting Neo Confucianism, which was a popular religion in China at the time, and allowing Han Chinese into its bureaucracy. But most of the time, it did much to show that the Manchus were separate and superior, with the prime example of prohibiting intermarriages between the Manchus and the Han Chinese. In this sense, because the majority Han Chinese would never have been content with being ruled by foreigners, internal discontent and rebellion was guaranteed. This was illustrated by the Revolt of the Three Feudatories by Han Chinese army officers in 1673. This also falls in line with Marxist historians’ view, as they see the historical process characterized by endless class struggles. In this case, it would be the oppressed Han Chinese against the oppressive Manchus, which indicated a struggle to overcome alienation successfully and thus the fall of the dynasty.

In short, the long-term resentment of the Han Chinese at being ruled by “foreigners” triggered a snowballing growth of opposition to the regime as it went on, such that it could be argued that the dynasty’s collapse became inevitable. However, this turning point was not the most decisive. This was due to the strength, assertiveness and high centralization enforced by its early founders and the fact that they all understood that the empire could only be held together by talking in political and religious idioms of their Han Chinese subjects. It meant the possibility of a submissive and marginal Han Chinese opposition and implied the survival of the dynasty was still open to them - a possibility that some argued was soon diminished when Qianlong came to power in1735.

 

A corrupt emperor

Emperor Qian Long’s legacy was another turning point which many argued that contributed the most to the inevitability. Despite the prosperity and peace Qian Long maintained throughout the empire, he, like many past emperors, became incompetent as a leader towards the end of his years. As the great Emperor aged, he began to adopt a series of measures which, with hindsight, planted the seeds for the inevitable downfall of the Manchus. The corruption was the most evident feature as untrustworthy officials and their needy relatives pocketed public funds. But Qianlong turned a blind eye to it, since the architect behind all this large-scale corruption and nepotism was his court favorite, He Shen. By the end of Qianlong's reign in 1796, the once-prospering treasury was “nearly depleted”[3]. In addition to this strain in the empire’s income, the untrained and ill equipped Bannerman and the Chinese Green Standard Army led by those corrupt generals was equally detrimental. This resulted in the failure to put down the famous White Lotus Rebellion in 1794 efficiently and quickly, and encouraged foreign invasions in the long term. The rebellion was significant as this was the first sign of the politicization of the general public. This was also the first peasant-led open rebellion against the extortion of tax collectors, which would eventually become a common feature towards the end of the dynasty. Furthermore, his dealings with the Europeans were also argued to encourage later aggressive foreign invasions as he adopted an isolationist approach. It could be argued that Qianlong’s reluctance to tackle corruption and to improve the quality of the military and his foreign policies made the collapse inevitable. However, the collapse at this point was not envisaged. The Qing Empire maintained goodwill from the West through trade and commerce. Alongside this, there was not a systematic breakdown within the government despite its ongoing corruption. Both factors ironically settled disputes and criticisms of the emperor, as people, whether rich or poor, high or low, were provided with great economic security, or at least from the surface it seemed this way - thus the possibility of the dynasty’s survival was still conceivable.

 

Weaknesses in society

The exposure of the structural socio-economic weaknesses of China in Qing’s later years, a third turning point, cannot be understated. Agriculture dominated 90 to 95 per cent of the Qing Dynasty’s rural economy[4], wealth distribution was unequal and there was significant population growth with its population exceeding 100 million, the largest hitherto in China’s history.[5] This made the economy and society incredibly weak when external shocks hit, like natural disasters and diseases. As far as Wu argued, two of the biggest floods in world history, the Yellow River flood in 1898 and the Yangtze River flood in 1911, helped to end the Qing Dynasty.[6]This pressure would ultimately tilt the balance of economic power[7] and lead to the collapse of the socio-economic system. A subsequent array of social unrest and discontent towards the Qing Dynasty was created, thus making the uneducated public more receptive to the idea of revolution. This was perhaps best illustrated by the outbreak of one of the bloodiest civil wars, the Taiping Rebellion led by the poor and the unemployed in 1850. Thus, the fact that economic and social practices, which were seen to be the backbone of the dynasty, were unsustainable meant that the fall was inevitable. However, this may not be the most convincing case. The peasants’ rebellions in response to socio-economic issues were short-lived (Dungan Revolt 1895–96) and were failures (Nian, Du Wenxiu, Dungan rebellions). Their reactions were also, to a large extent, controllable as long as Qing maintained the loyalty of the army and imposed a strong degree of force and terror. This turning point did not necessarily mean the outright fall of the Qing Dynasty, for peasants’ rebellions and the empire’s assertive suppression in response was a mode that had remained relatively unchanged for 2,000 years since the Han Dynasty[8], which ensured political stability and re-established state authority.

 

Foreign powers

The First Opium War in 1839 was argued to be another crucial turning point towards the inevitability of the fall, as Trotsky once described war as “a locomotive of history”[9]. It was the product of the collapse of negotiations between the British and the Chinese to open up trade barriers and soon turned China into “a drug-crazed nation”[10]. Qing’s army may have had the capacity to put down internal strikes, but they were no match for external artillery and naval strength. The event is significant in signaling the beginning of “unequal treaties” (Treaty of Nanjing, Treaty of Bogue) and a chain of foreign invasions and interference (The Invasion of the Eight-Nation Alliance). This meant that the Chinese lost confidence in the once-invincible army and the Imperial political system. In turn, this led to even more unrest in the Chinese society, with patriots enraged at the weakness of their country and forming revolutionary movements. One of the most notable was the Boxer Rebellion, which initially was against both the Qing government and the foreign spheres of influence. China’s defeats, the exacerbation of the socio-economic problems by the wars and the protests that followed did mean the empire’s future looked incredibly bleak. It seems that the collapse was highly possible. However, this turning point was not the most important one. Firstly, it is important to note that the Western powers generally had no intention to overthrow the Qing Dynasty, but rather desired to turn it into a subordinate. Secondly, the Qing government was clever enough to manipulate the patriotism in their favor. They managed to mobilize the protestors against the foreign powers, as demonstrated by the change of the peasants’ aims in the Boxer Rebellion.

 

Western ideas

An accomplice of foreign invasions, Western influence and culture, was argued to have a profound impact on the inevitable downfall. It reflected the great sense of crisis and highlighted the need of a change. Western modernistic literature, religion and political ideologies promised a liberal and capitalist utopia, a promotion of love and peace by Christianity and the subsequent economic prosperity following industrialization. This made the political repression of Qing seem remarkably backward and thus hugely appealed to the public. People were more educated, receptive and sensitive toward revolutionary ideas, with the example of the wave of students travelling abroad to study being radicalized, one of which became the leader in the 1911 Revolution, the “Father of Modern China”, Sun Yat-sen.

Arguably Emperor Guang Xu’s last attempt to save the country based on Western culture, the Hundred Days’ Reform in 1898, made the collapse inevitable. The example set by Western powers provided the Manchus with a route to ensure their survival. The reform consisted of numerous progressive ideas such as capitalism, constitutional monarchy, and industrialization. Despite the reform ending within 103 days, it opened up expectations which the traditional ruling elites of Qing would never be able to satisfy, particularly given their deeply rooted backward imperialism and reluctance to change. Great impetus was given to revolutionary forces within China and such sentiments directly contributed to the success of the Chinese Revolution barely a decade later, which ultimately brought down the hundred-year-old rule of the Qing Dynasty.

 

The key factors

Two elements indicate that the Chinese Revolution of 1911 was the decisive turning point for the destiny of the Qing Dynasty. Firstly, it was the first time that such a huge wave of universal discontent rose. It was the outburst of the accumulation of national resentment, unrest and instability. Reasons for the outburst varied, ranging from the failure of Qing to reduce the ethnic alienation, to confront foreign aggression, to solve socio-economic problems, which united a vast number of people with a variety of class, background and interests. Started by the mishandling of the building of a railway, the situation soon escalated into successive and spontaneous uprisings that occurred throughout the year across remarkably different regions. By the end of the year, 14 provinces had declared themselves against the Qing leadership.[11] Debatably the previous rebellions had been motivated by the same factors, but never had the public been so aware of the sharp contrast between the East’s backwardness and the West’s superiority, which brings in the second factor. It was the immense exposure to Western cultural influence and ideologies which heightened the pressure on the regime. China’s issues across all aspects of society were evident and the possibility of their nation pursuing the path of the modern powerhouses like Britain and France seemed achievable. This in turn also gave the leadership the ideas it needed, as it was mainly led by groups of intelligentsia who received profound influence from Western education, such as Sun Yat-sen. Hence when universal discontent met foreign ideologies, the collapse of the imperial Qing Dynasty had finally become inevitable.

 

The end

Thus before the Chinese Revolution of 1911, the dynasty’s collapse has always been a preventable choice. Sun Yat-sen once said that when he first advanced the Principle of Nationalism, he won responses mostly from secret societies but "seldom from the middle-and-above social strata"[12]. This is highly suggestive of the fact that the essential elements and support for the collapse was absent previously. It also indicates the impromptu nature of the 1911 revolution. However, as progressive Western ideas prevailed and nationalism spread at a tremendous pace, penetrating into every stratum of society, almost everyone came to realize the necessity of waging a revolution.[13] By claiming the fall was made inevitable by Qing’s initial identity or Qianlong’s legacy would be a claim largely reliant on hindsight. Its internal socio-economic issues, on the other hand, were persistent and prolonged by the use of fear and terror. The West’s invasions by warfare can be regarded to be far less important than the invasions by culture and ideologies, as foreign powers only envisioned the Qing to be a submissive puppet government. In conclusion, until the Qing Dynasty was highly exposed to the Western ideologies which nurtured a high level of awareness for change and comparison, its downfall was never inevitable.

 

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You can read Scarlett’s article on the burning of the Summer Palace by the British and French here.

 

[1] The Extraordinary Life of The Last Emperor of China, Jia Yinghua, 2012

[2] The Myth of the 'Five Human Relations' of Confucius, Hsu Dau-lin, 1970-71

[3] http://www.newworldencyclopedia.org/entry/Qianlong_Emperor

[4] A Changing China: Emerging Governance, Economic and Social Trends, Civil Service College, P71

[5] China’s Population Expansion and Its Causes during the Qing Period, 1644–1911, Kent Deng, P6

[6] History of the Qing Dynasty, Annie Wu, 2015

[7] Manslaughter, Markets and Moral Economy, Thomas M. Buoye

[8] A Changing China: Emerging Governance, Economic and Social Trends, Civil Service College, P71

[9] Report on the Communist International, Leon Trotsky, 1922

[10] Pathway to the Stars, DD Rev Ernest a. Steadman, 2007

[11] http://www.britannica.com/event/Chinese-Revolution-1911-1912

[12] Sheng Hu, "Anti-imperialism, democracy and industrialization in the 1911 Revolution," in The 1911 Revolution: A Retrospective After 70 years, 9-25. Beijing: New World Press, 1983.

[13] Shu Li, "A Re-Assessment of Some Questions Concerning the 1911 Revolution."  in The 1911 Revolution: A Retrospective After 70 years, 67-127. Beijing: New World Press, 1983.

We created a number of maps to go with our Spanish Civil War book. Rather than keep them hidden away, we thought we'd share them with you on the blog...

The maps show the situation at four key stages of the Spanish Civil War between General Franco's Nationalists and the Republicans. They are a very useful complement to the book.

Return to our Spanish Civil War page by clicking here.

And remember, you can obtain a copy of our book on the Spanish Civil War instantly here.

Images produced for www.itshistorypodcasts.com by Yazuo Baca of Luna Media Lab.

We follow the intertwined fates of Martin Luther King, Junior and Robert F. Kennedy – two men who were linked in tragedy. Following the first part here, Christopher Benedict continues his piece on the awful spring of 1968 by considering the words of Kennedy following King’s assassination, and still more tragic events in June 1968.

Robert F. Kennedy giving a speech in Los Angeles, California in the spring of 1968.

Robert F. Kennedy giving a speech in Los Angeles, California in the spring of 1968.

Binding a Nation’s Wounds

Ted Sorensen, an old family friend as well as President John F. Kennedy’s Special Counselor and main speechwriter, remembers receiving a phone call at his home in Washington DC the night of April 4, 1968 from Robert Kennedy who “asked for my thoughts on a speech scheduled for the next day in Cleveland, saying he would call me back in an hour. When he hung up, I scribbled as quickly as I could on scraps of paper - with the assassination of King in my mind, but the assassination of John F. Kennedy in my heart.”

Bobby also enlisted the guidance of Jeff Greenfield and Adam Walinsky who would assist in composing an earnest plea for nonviolence and national unity to be delivered during a luncheon at Cleveland’s City Club, the only campaign commitment over the course of the following week that a grief-stricken Kennedy was intent to follow through with. It proved to be a logical extension of his spontaneous remarks made the previous evening and, taken together, Robert Kennedy’s finest hours.

 

Cause and Effect of Institutional Violence

“This is a time of shame and sorrow. It is not a day for politics,” Bobby insisted at the outset of his oration. “It is not the concern of any one race. The victims of the violence are black and white, rich and poor, famous and unknown. They are, most important of all, human beings whom other human beings loved and needed.”

Channeling Abraham Lincoln, who had been elevated one century before Bobby’s own brother to the status of bipartisan patron saint, Kennedy reiterated the Great Emancipator’s sentiments that “Among free men, there can be no successful appeal from the ballot to the bullet, and those who take such appeal are sure to lose their cause and pay the costs.” But this was no mere occasion for soothing the nation’s injuries with the placebo of lofty rhetoric and well-chosen but ultimately trivial quotation. Kennedy opted instead to pry inside those wounds and diagnose the root causes of the collective systemic traumas now and for centuries before plaguing its inhabitants.

“There is another kind of violence, slower but just as deadly and destructive as the shot or the bomb in the night. This is the violence of institutions, indifference and inaction and slow decay. This is the violence that afflicts the poor, that poisons relations between men because their skin has different colors. This is the slow destruction of a child by hunger, and schools without books and homes without heat in the winter.”

Allowing that “I have not come here to propose a set of specific remedies, nor is there a single set,” Bobby continues to caution how “when you teach a man to hate and fear his brother, when you teach that he is a lesser man because of his color or his beliefs or the policies he pursues, when you teach that those who differ from you threaten your freedom or your job or your family, then you also learn to confront others not as fellow citizens but as enemies, to be met not with cooperation but with conquest. To be subjugated and mastered.”

“We learn, at the last, to look at our brothers as aliens,” Kennedy forges ahead, “men with whom we share a city but not a community, men bound to us in common dwelling but not in common effort. We learn to share only a common fear, only a common desire to retreat from each other. Only a common impulse to meet disagreement with force. For all this, there are no final answers.”

“Our lives on this planet are too short and the work to be done too great to let this spirit flourish any longer in our land,” Kennedy concludes his prognosis. “Surely we can learn, at least, to look at those around us as fellow men, and surely we can begin to work a little harder to bind up the wounds among us and to become in our hearts brothers and countrymen again.”

 

A Dream Dead and Buried

Martin Luther King’s funeral and burial took place on April 7 at Ebenezer Baptist Church in Atlanta. Besides Bobby, Ethel and Jackie Kennedy, among the faces in the crowd of mourners could be seen Hubert Humphrey, Eugene McCarthy, Richard Nixon, Nelson Rockefeller, Jimmy Breslin, Jackie Robinson, Harry Belafonte, and Sammy Davis Jr.

Conspicuous by his absence was President Lyndon Johnson, explained by Kennedy as being due to a “lack of physical courage”. Bobby was involved in a brief but very telling exchange with Charles Evers, the sibling of black activist Medgar Evers who was gunned down in his driveway in Jackson, Mississippi only hours after John F. Kennedy had given his nationally televised address on civil rights which itself followed Robert’s showdown with George Wallace in Tuscaloosa, Alabama that afternoon.

“Do you think this will change anything?” Bobby asked as they walked side by side in the procession, referring to King’s assassination.

“Nothing,” Charles replied. “Didn’t mean nothing when my brother was killed.”

“I know,” commiserated Bobby. His own funeral at St. Patrick’s Cathedral was less than two months away.

 

Dreams of Things That Never Were

Having sweated out a four percentage-point victory over McCarthy in the all-important California primary, Kennedy took the stage of the Ambassador Hotel’s Embassy Ballroom ten minutes after midnight on June 5. Ethel stood proudly by his side and her bodyguard Rosey Grier, former Pro Bowl defensive tackle with the NFL’s Giants and Rams, looked on approvingly and towered menacingly from the rear of the crowded rostrum.

Minutes later, Grier would be one of several people in the Ambassador’s kitchen wrestling the pistol away from Sirhan Sirhan, a Palestinian disgruntled with Kennedy’s statements in support of Israel, still pulling the trigger as they did so. Also involved in the fracas were journalists and novelists Pete Hamill, George Plimpton, and Budd Schulberg - the author, boxing scribe, and screenwriter of On the Waterfront who had taken Bobby to visit his Watts Writers Workshop a few days before and had been hand-picked to script a film version of The Enemy Within, Kennedy’s 1960 account of The McLellan Committee’s Crusade Against Jimmy Hoffa and Corrupt Labor Unions which would never go before cameras.

Humble, hopeful, and grateful yet clearly weary, the Senator spent the majority of his speech sweeping the bangs of his unruly hair from his eyes and thanking the specific members of his staff who had worked so diligently and effectively on his behalf. Well aware that Gene McCarthy was going nowhere and indeed dug in for a fight to the finish in the political trenches, Bobby had good reason to be confident and cautiously optimistic.

“And now it’s on to Chicago and let’s win there,” Robert F. Kennedy concluded with a boyish grin. The index and middle fingers of his right hand extended upward.

V for victory?

A peace sign?

In the spirit of Robert F. Kennedy and Martin Luther King, I like to think it was both.

 

Did you find this article of interest? If so, tell the world. Tweet about it, like it, or share it by clicking on one of the buttons below.

Sources

  • The Days of Martin Luther King Jr. by Jim Bishop (1971, Putnam)
  • The Autobiography of Martin Luther King Jr. edited by Clayborne Carson (1998, Warner Books)
  • Robert Kennedy in His Own Words: The Unpublished Recollections of the Kennedy Years edited by Edwin O. Guthman and Jeffrey Shulman (1998, Bantam)
  • Robert Kennedy: A Memoir by Jack Newfield (1969, Dutton)
  • RFK: Collected Speeches edited by Edwin O. Guthman and C. Richard Allen (1993, Viking)
  • Counselor: A Life at the Edge of History by Ted Sorensen (2008, Harper Collins)
  • Robert Kennedy and His Times by Arthur M. Schlesinger Jr. (1978, Houghton Mifflin)

The American space program was a key part of the Cold War, especially after the Soviet Union propelled a human into space before the U.S. did. The U.S. government initially hugely supported the industry, and here Jeneane Piseno explains the role of the American consumer in supporting the space industry - and how the industry has evolved since the end of the Cold War.

The joint U.S.-Soviet crew of the 1975 Apollo-Soyuz Test Project, the first two-nation cooperative space mission.

The joint U.S.-Soviet crew of the 1975 Apollo-Soyuz Test Project, the first two-nation cooperative space mission.

Cold War Consumerism

On October 4, 1957, the Soviet Union propelled humanity into outer space via Sputnik, launching a national purpose for the United States aimed at preeminence on several fronts including military, technology, ideology, and culture.[i]  Space, the new battleground in the Cold War, mandated the necessity of a national organization to deliver international superiority. Thus, on July 29, 1958, President Eisenhower signed into law the National Aeronautics and Space Administration Act, establishing a government-supported civilian agency responsible for peaceful enterprises in outer space.

NASA’s mission to thrust Americans to the forefront of global leadership also ignited one of its most important assets, the consumer market. The space-age consumer provided momentum to policies produced by the convergence of the Cold War and technological developments in both government and corporate sectors. The objective to form a national identity through legislation, innovation, and mass advertising transported American leadership to outer space from the 1950s through the beginning of the twenty-first century. 

 

Free Market Culture

Thus, Cold War consumerism impacted the onset of the “space race” by shaping modern cultural attitudes towards spending based on political superiority.  Post World War Two spending focused on the perception of power presented to the public by capitalizing on selling a free market ideology.[ii]  For example, at the height of the Cold War, consumer advertisers unleashed a barrage of technological prospects aimed at securing freedom from the evils of Communism.

Products that materialized in the 1950s and 1960s captured the emotions of “ordinary American families” as a result of post-World War Two geopolitical and economic technological development.[iii]  Rocket design, nuclear fusion production, and fear of Communism reinforced policy and legislation aimed at the “space race”, which in turn influenced the economy through the production of consumer goods. Influence in this sphere resulted in accelerated research in science, technology, and defense intended to provide Americans with the biggest and best of everything, including the vehicle that propelled them to the Moon. The Cold War marketed the idea that “a thrill would come from fascinating new products” inspired by space-age technology.[iv]

 

The Space Industry

At the height of the Apollo program, government spending on space reached unprecedented levels, causing Congress and media representatives to take a closer look at the reasons for U.S. domination of the space environment. Escalating costs reinforced delays in mission operations, which in turn drove up costs. As the threat of global Communism slowly ebbed in the late 1980s, once staunch advocates of the American space leadership model abdicated their support in favor of more private sector participation.  Although the private sector characteristically supported space exploration initiatives, reliance on commercial capabilities rose in the field of robotics and aeronautics, grounding any notion of manned space-flight activities beyond low Earth orbits, thus minimizing the exhibition of space in popular culture.

While more commercial involvement, such as the development of launch technologies; the construction of the international space station; and scientific and medical research enhanced production capabilities, the consumer attraction to “space race” related merchandise eventually declined. However, with help from Hollywood films like Star Wars, Close Encounters of the Third Kind, and E.T. the Extra-Terrestrial, this market emerged as a subset of popular culture and helped keep space interests alive. Consumer goods continued to display alien fascination through the marketing efforts of the entertainment industry.  Furthermore, American innovation, NASA, and the space transportation system (STS) created a symbolic American icon that represented global supremacy which helped foster consumer interest in outer space.

 

National Identity

Presidents from Kennedy to Bush ‘43 further recognized the importance of an American presence in outer space and the necessity of commercial expansion and support of this endeavor. Interests outlined in their respective space policies sanctioned private sector contributions as part of the national mission.  Each president recognized the vital importance of continuing research into aeronautical development and environmental science, areas of research application resulting from the national space program.  With the end of the STS, a vision for future transportation and space-oriented goals evolved in the Orion spacecraft development and Constellation human spaceflight program defined in the Vision for Outer Space Exploration and the NASA Authorization Act of 2005. This act specifically called for expanded private-sector contribution toward outer-space exploration.

Thus, in 2010 the U.S. space program reduced its responsibility concerning the management of space exploration in favor of commercial leadership in human outer-space endeavors. The impact of diminished American global importance as the intrepid helmsman signified a reduced geopolitical dominance, but also created opportunities to lead on multiple platforms in the private sector.

Ascertaining the connection between the reduction in authority of the national symbol and the expanded industrial complex seems simple: in a market economy the private-sector acknowledges the burden of responsibility for seemingly discretional government spending.  But this shift in fiscal responsibility possibly surrenders influence of the future American presence in space. Maneuvering from the “national identity” posture towards a solely business infrastructure also begs the question of who will pilot commercial ventures in outer-space, establish ethical responsibility and government, or even organize any type of social structure for the people of Earth in a more universal context.  

 

The Space Consumer

Just how did the United States government rely upon the modern consumer market and commercial entities to promote an American presence in outer space in order to achieve global preeminence?  The answer: the birth of the space consumer. The story of this interstellar customer reveals a strategy of commercial transition in American space endeavors through an apparent magnitude of policy, technology, and media.

Research in the field on the Cold War, the nuclear arms race, the space race, and consumerism reveal that many factors played a role in the promotion of American leadership in the latter half of the twentieth century, but the most prominent strategy for American success appeared in mass consumption. For example, in the 1950s and 1960s homes displayed modern kitchens and appliances, through the deployment of communications satellites, millions of people witnessed television, heard more radio broadcasts; and ordinary people enjoyed overall economic improvement over their Soviet counterparts, enticing them to purchase products.[v] Additionally, Americans purchased toys, automobiles with rocket-shaped fins and cruise control, space food sticks and energy drinks and snacks.

 

Pop Culture

Initially, the American image arguably made the greatest contribution to space program because it became synonymous with freedom and success. Later, as the “space race” fervor subsided, an atmosphere of cooperation drove consumer interests into space, reflecting a greater commercial involvement with the general public through a subset of space consumerism primarily through the entertainment industry. The commercialization of space through media occurred well before Star Wars entered the market place. Movies dating back to the beginning of the “space race” often included themes related to the Cold War and the possibility of either invasion by aliens, or unification of Earth against other terrestrial forces, or of human manifest destiny to conquer space. Movies such as Destination Moon (1950), The Day the Earth Stood Still, and When Worlds Collide (1951), Invaders From Mars, It Came From Outer Space, and Invasion of the Body Snatchers, War of the Worlds (1953), Spaceflight IC-1(1965), all tapped into the alien-contact market.[vi] The outer space ethos allowed Hollywood producers to capitalize on associated cultural influences through the medium of film creating an explosive subculture in outer-space entertainment. Additionally, Hollywood movies served as glamorous and alluring advertisements for the possibility of a Western or American standard of living through the continued expansion of space-related endeavors, one of the primary foundations supporting the exceptional position of the United States existed in consumerism.

The transition in private-sector involvement that resulted in a heavy reliance on consumer power to market its position in the world presented the realization that glamorizing the American image at home and abroad was a key factor to a successful space program. The U.S. government accomplished this task through purchasing power, media advertising, technological exhibitionism and commercialism. Commerce established early on between government and civilian entities, including the military and corporate organizations, contributed to the ongoing technological advances well into the twenty-first century.

By 2010, the nearly total reliance of commercial organizations to facilitate the continued American presence in outer-space exploration represented another perspective from which to examine future activities space. Though the onset of the space program was born out of a military mission, consumerism played a key role in its continued existence. Today, government participation reflects the growth of the commercial sector as it takes on the majority of the responsibility for building, operating, and possibly eventually deciding upon what future goals to strive for, what challenges and risks to accept, and in what form established space structures will exist. This exceptional journey will no doubt continue advancing at light speed with the space spender at the helm.

 

Did you find this article of interest? If so, tell the world! Tweet about it, like it, or share it by clicking on one of the buttons below…

 

 

[i] Richard Fox and T.J. Jackson Lears, The Culture of Consumption: Critical Essays in American History,1880-1980. (New York: Pantheon Books ,1983). 177.

[ii] Stephen Bates. “Cold War, Hot Kitchen. “Wilson Quarterly 33, no. 3(Summer 2009:12-13). American History and Life. (Accessed August 1, 2012).

[iii] Roland Marchand,. Creating the Corporate Soul: The Rise of Public Relations and Corporate Imagery in American Big Business. (Berkley: University of California Press, 1998). 313.

[iv] Ibid, 341

[v] Victorian De Grazia. Irresistible Empire: America’s Advance Through Twentieth Century Europe. (Cambridge: The Belknap Press of Harvard University, 2005). 100-125.

[vi] Science fiction films about space. http://www.cinemacom.com/50s-sci-fi-BEST.html

 

Posted
AuthorGeorge Levrier-Jones
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