Spiritualism was a religious movement that gained momentum in America during the mid-1800s. The movement essentially held that people could communicate with people have died – and enabled people to do that through mediums. Angie Grandstaff explains.

The Fox sisters.

Spiritualists didn’t build churches or have preachers. They believed we could communicate with those who have died. Spiritualists would hold meetings in homes or community buildings where lectures would be given or séances would be conducted so people could speak to their dead loved ones. There were demonstrations by mediums and other sensitive individuals who would bring forth the dead, who would communicate via knocks on the walls or floors.   

Spiritualism may conjure up many skeptical thoughts for us today, but this was a real movement that millions of people wholeheartedly believed and participated in. Spiritualism has been considered a religion, a fad, a hoax but whatever our thoughts it was a national phenomenon during the mid-1800s.

 

Why Spiritualism?

Why did Spiritualism become such a phenomenon during the mid-1800s? First, we need to look at the two previous centuries. The 16th and 17th centuries in America were dominated by a very puritanical form of Christianity. Anyone who practiced anything like Spiritualism during that time would have been risking their life. It is estimated that thousands of people were executed for witchcraft in Europe and America during those centuries. Life was very rural, harsh, and rigid and people were held to very strict mores. It was a matter of life or death.

America was drastically changing in the mid-1800s. There was more industrialization and urbanization, which meant cities were growing and work was evolving. Inventions and science were transforming how people looked at the world around them. Immigrants were bringing in new religious practices and beliefs into American towns. There was literature and scientific discoveries that challenged religious beliefs and the Bible. America was on the verge of a Civil War and tensions were high. People were looking for assurance because life seemed uncertain.

Another big factor for the rise of Spiritualism was that people were not as comforted by traditional Christian beliefs when loved ones died. The death of children especially led parents to seek comfort in other places besides their community church. Spiritualism offered grieving people solace while coping with their loss. All these factors helped create an opening for Spiritualism to rise.

 

Ghostly Images

Invention and science were factors in the popularity of Spiritualism in the mid-1800s. Some even saw Spiritualism as a scientific religion. The invention of photography played into Spiritualism beautifully. This brand-new technology fascinated and terrified at the same time. Photography allowed us to see the unseen or what we are unable to see from our perspective. Photographs taken from hot air balloons gave people their first aerial images of towns and cities. Civil War photographs showed death and destruction on a scale that few had ever seen.

There were plenty of photographs that were produced during this time that made it look like spirits were revealed through this scientific process of capturing images on paper. William H. Mumler was a well-known spirit photographer during the mid-1800s. He produced portraits that had ghostly images in the background or near the person being photographed. Former First Lady Mary Todd Lincoln was one of Mumler’s clients. She visited him after her husband’s murder. His photograph of her had an image of Abraham Lincoln behind her with his hands on her shoulders. Whether this was a scam or not, it gave many comfort to think their dead loved ones were near even if they couldn’t see them. These pictures were published in newspapers and Spiritualism benefited despite critics and proof that some of these pictures were manipulated. 

 

The Impact of the Civil War

Prior to the Civil War, when a loved one died the family handled the process at home. The dying would be surrounded by family and friends. Wakes and funerals were held in homes allowing people the chance to grieve together. The Civil War changed that for thousands of families.  It is estimated that 750,000 men died in the Civil War - hundreds of thousands of families who were unable to be with their loved ones when they passed. They never saw the body. They had no closure. Death on this scale hadn’t happened before. This great loss and immense sorrow of so many families contributed to the rise and appeal of Spiritualism. Spiritualism gave someone a chance to speak to their loved one or hear from a medium that their loved one was at peace. This was a great comfort to grieving people.   

 

The Fox Sisters

Many historians attribute the birth of Spiritualism in America to the Fox Sisters. Maggie and Kate Fox lived in New York. In 1848, when they were 14 and 11 years old, they relayed some strange experiences to their parents. The two sisters heard knocks on furniture and walls while in their bedrooms at night. The girls demonstrated this for their parents and neighbors. They would ask questions and noises would come in response. Everyone was mystified by these young girls’ abilities to speak to the dead. Their fame and demonstrations catapulted Spiritualism into a phenomenon. Maggie and Kate were joined by their older sister Leah and they spent their lives working as mediums. They were invited to do demonstrations and hold séances where they communicated with the dead.

The sisters had a falling out as adults, which led to Maggie coming forward to claim it was all a hoax. She revealed the very first spirit communications in their New York bedroom was a prank. They used an apple on a string to produce the spirit noises. She said at their public demonstrations, they would use their own knuckles, joints and toes. A year later, Maggie recanted all of this, but her reputation was damaged beyond repair. Despite the way things ended for the Fox Sisters, their contribution to the Spiritualist movement was profound and undeniable. Their work as mediums led many others to take up the profession as well, which led to the growth and popularity of Spiritualism around the country.

 

Emma Hardinge Britten

The Fox Sisters may have been the beginning of Spiritualism in America, but Emma Hardinge Britten was the religion’s biggest advocate. Emma was born in England in 1823. From a young age, she demonstrated talent as a singer, musician and actress. Her first trip to America was for a role on Broadway in New York City where she met Spiritualist, Horace Day. This changed the trajectory of Emma’s life. She became a Spiritualist and began work as a medium and trance lecturer. One of her most famous spirit communications was with a deceased sailor who had died when his ship had sunk a few weeks earlier. Emma knew details about the ship and the sinking that only someone with firsthand knowledge would know.

During her life, she traveled extensively in America, Britain, Australia and New Zealand to promote Spiritualism and she used her many talents to do so. She wrote books on Spiritualism and was considered the leading historian on the subject. Her writings included guides on how to conduct a séance and how to investigate mediums for fraud. Emma was a born entertainer and used these skills during her demonstrations, lectures and séances. She also used her platform as a Spiritualist to share her views on slavery, the plight of the poor and women’s rights. Her work and her philosophy created the foundation for modern Spiritualism.    

 

Séances in Victorian America  

Séances were a big part of Spiritualism. Television and the big screen have given us many images of séances. People sitting around a table in a darkened room, maybe holding hands while spooky noises fill the air and tables levitate. This is much like what happened during a séance in Victorian America. The many factors that led to the rise of Spiritualism in America made the public believe in the abilities of mediums and the legitimacy of séances. People truly wanted to believe we could connect with the spirit world. Unfortunately, many unscrupulous people used séances to con people out of money during the mid and late 1800s. Many mediums were exposed for their fraud, but it didn’t stop the popularity of séances.

The reason that so many mediums could conduct fraudulent séances was mainly because there was no electric light at this time. Rooms would be lit by oil lamps or candles. So, the scene is perfectly set for trickery in rooms with low light or even darkness. Participants might even be encouraged to keep their eyes closed. They would be told not to touch the medium or any spirit summoned because it could kill the medium. There would be noises, a spirit manifested into the room or tapping on shoulders. Many mediums had accomplices to help them create ghostly noises and manifestations. Some mediums used specially constructed cabinets that could produce music or allow their accomplices to come and go during the séance. Oil of phosphorus would be used to make things glow in the dark. Victorian séances were a source of entertainment for some, hope or proof of scientific advancement for others. Once electric light and handheld lights were available, those who conducted fraudulent séances needed to look for other ways to entertain their attendees.

Spiritualism became less popular in the 20th century and there are many skeptics and con artists surrounding this movement and religion. But there is no denying its lasting impact. Mediums, clairvoyants and séances are still popular today. Everything from haunted houses to Ouija boards to the psychic hotline can be attributed to the rise of Spiritualism in the 19th century. Even in 21st century America, people still desire to be comforted during grief and to connect with and understand those things we can’t see.  

 

What do you think of these amazing women? Let us know below.

You can read Angie’s article on 5 Amazing Female Businesses in 19th Century America here.

Angie Grandstaff is a writer who loves to write about history, books, and self-development.

References

Manseau, P. (2018). The Apparitionists: A Tale of Phantoms, Fraud, Photography, and the Man Who Captured Lincoln’s Ghost. Mariner Books, Houghton Mifflin Harcourt.

Nartonis, D. K. (2010, June 1). The Rise of 19th‐century American Spiritualism, 1854–1873. Wiley Online Library.  https://onlinelibrary.wiley.com/doi/full/10.1111/j.1468-5906.2010.01515.x.

Gramson, H. (2013, March 6). The Science of Seance: The Scientific Theory of the Spiritualist Movement in Victorian America. https://www.pacificu.edu/sites/default/files/documents/Hannah%20Gramson.pdf

Howe, L.A. (2015, November 13). Spirited Pioneer: The Life of Emma Hardinge Britten. FIU Digital Commons. https://digitalcommons.fiu.edu/cgi/viewcontent.cgi?article=3474&context=etd

Walton, G. (2017, February 1). The Victorian Seancehttps://www.geriwalton.com/the-victorian-seance/

Posted
AuthorGeorge Levrier-Jones

Sir William Crookes (1832-1919) was a well-regarded chemist and physicist with numerous awards and recognitions to his credit. Perhaps more intriguingly, he was the first to bring the "scientific method" to bear on the question of psychic powers.

 

Crookes spent many years testing various aspects of psychic phenomena. Early in his quest to find answers in the sub-culture of psychics and mediums, a culture rife with fraud in the 19th century, Crookes was duped several times.  To fall prey to this avaricious intent significantly irked Crookes, and caused him to refine where his experiments were run.  Crookes had a laboratory in his home which he utilized for all his later experiments, testing the veracity of automatic writing, movement of heavy items with light contact or no contact, percussive sounds, alteration of the weight of objects, levitation of objects and humans, luminous appearances, appearance of hands both luminous and solid, appearance of forms and faces, and many other uncategorized oddities. 

Caricature of Sir William Crookes. Circa 1903. The caption read "ubi Crookes ibi lux", which is roughly translated as, "Where there is Crookes, there is light."

Caricature of Sir William Crookes. Circa 1903. The caption read "ubi Crookes ibi lux", which is roughly translated as, "Where there is Crookes, there is light."

Like many big names of the Victorian era, including Sir Arthur Conan Doyle of Sherlock Holmes fame, Crookes believed in the afterlife. Crookes cites a Professor Morgan when he describes his attitude toward the subject in his ‘Spiritualism viewed by the Light of Modern Science’ (1874):

"I have both seen and heard, in a manner which would make disbelief impossible, things called spiritual, which cannot be taken by a rational being to be capable of explanation by imposture, coincidence, or mistake... The physical explanations I have seen are easy, but miserably insufficient.  The spiritual hypothesis is sufficient, but ponderously difficult."

Crookes's psychical experiments predated the founding of the Society for Psychical Research (SPR) in 1882.  The SPR went on to research the previously mentioned phenomena at an international level.

It is important to remember Crookes was not some common dabbler in science.  A brief list of his research would include, but is not limited to, meteorology, chemistry, economics, spectrometry, radiation, and cathode rays.  The cathode ray term lives on with us today in the truncated form of CRT (cathode ray tube) that many still use to view TV shows or surf the web.

Crookes is probably most famous for his "Crookes Tubes" which he developed during his studies of cathode rays, streams of electrons generated by electrical energy in a low pressure environment.   When these "rays" were found to have traits of particles they were termed corpuscles before receiving their final term of electrons.

 

Party tricks and spirits

Not all of Crookes’s tubes were for experimentation.  Many were made to entertain the well-heeled attendees of Victorian parties.   One can only imagine the anticipation of the guests as Crookes set up equipment that would make a Steampunk aficionado salivate.  Then, as the arcane machinery came to life with the loud spat of high voltage arcing, the tube would glow.  A darkened room lit by the stroboscopic effect of the spark gap oscillator and a glowing object of art the centerpiece - the perfect warm up for a séance. While it is not known if Crookes demonstrated his tube simultaneously with a séance, it is known that he did attend séances with a multitude of apparatus in tow.

Crooks performed many experiments and tested several spiritual mediums attempting to quantify spiritual power.  He designed many complicated testing mechanisms to record measurable changes in the physical world on paper.  Most of his experiments were carried out in his own laboratory under his terms mitigating the chance of deception.  During one of these "in house" experiments he generated a paper tape readout of Daniel Home (his most "remarkable" subject), changing the weight of an object suspended inside a glass case.

Another of his subjects was Miss Florence Cook who would call forth an entity who called herself Katie.  This was problematic for Crookes as mediums were notoriously finicky, with Miss Cook being no exception, insisting on darkness and seclusion behind a curtain.  However this did not deter Crookes who devised a different form of lighting (phosphorus lamp) and other adaptations to his home to accommodate her while meeting his experimental demands.

Crookes regretfully notes that he arrived in the eleventh hour of Miss Cook's career but he did spend several months working with her.  The crux of this series of tests can be boiled down to a single question: can a woman, barely 20 years old, so hoodwink a man and several hand-picked witnesses in his own home so that she appears to be in two places at once under the guise of low light conditions?  Under the scrutiny of Crookes and three or four other witnesses, Katie, Miss Cook's projection, did many things including shaking hands, exchanging embraces, holding babies, and having her photo taken.  Crookes also took great pains to measure Miss Cook’s and Katie's respective heights and builds, including face shape. Crookes's notes show them to be demonstrably different.  Miss Cook, demonized in the press of the time, was never proven a fraud by Crookes; in fact, he remained impressed by her veracity throughout his life, much to the detriment of his personal reputation.

 

The accordion

One of Crookes's most spectacular experiments was the testing of Daniel Home "playing" an accordion without touching it, or only lightly touching it.  The accordion was purchased that day and was brand new.  There were several witnesses including a respected fellow physicist, a police sergeant, Crookes's brother, and his chemical assistant.  The mesh cage's largest opening was less than 2 inches by 1 inch and was placed on the floor and under a table with no room for foot or hand at top or bottom.  Home, whom had been watched by Crookes since when he was picked up, sat in an easy chair with his legs athwart the cage.  With Crookes one side and another witness on the other, they each placed a foot on one of his to detect any movement.  The cage was then moved out from the table, the accordion placed inside with its keys down, and Home grasped the accordion's higher end (without the keys) between thumb and forefinger and the cage was pushed back under the table, but not so far as to hide Home's hand, his other hand resting on top of the table.  The instrument moved with no noticeable movement from Home, a few notes were tentatively played, and Home removed his hand from the cage leaving the accordion floating and undulating inside.  Home then reached back in the cage and lightly touched the instrument which obliged him by playing a cheery contemporary tune.

Many people, such as the great early 20th century magician Houdini, have dismissed Crookes and his experimental findings.  Labeled credulous, wishful, a dupe, and many other unflattering terms, they look back and poke holes in his experiments.  One detractor suggests that Crookes must have purchased a self-playing accordion (which were available at the time) or that it was operated by Home with strands of catgut, while he played melodies on a mouth organ hidden in his bushy mustache.  Crookes's notes rebut all of his critics, many who appear to have not read his writings.

"There are more things in Heaven and Earth, Horatio, than are dreamt of in your philosophy", 

Said the Bard.  Sir William Crookes made one of the firmer efforts to discover what was between heaven and earth, taking it out of philosophy and dragging it into the sunlight of the real world.

Crookes will likely remain an enigma to all those that study his life.

 

By Kevin O’Neill

 

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