What if? In this case, (what if?), refers to John F Kennedy. As we ask this  question; what if John F Kennedy had not been assassinated? This intriguing question suggests an immense train of thought.

Terry Bailey considers the question.

President John F. Kennedy just before being assassinated.

Certain events in history stand out as key periods in time, especially for those individuals who lived through those times when particular events actually took place. The assassination of John F Kennedy is one such moment in time. It is said that many individuals can tell you where and what they were doing when the news broken.

The assassination of John F. Kennedy, the charismatic leader of the United States of America, (USA), on that fateful day in 1963, remains etched in collective memory. Yet, what if the tragic event had never occurred? What if Kennedy had continued to guide America through the tumultuous decade that followed?

In this speculative exploration we take a journey into a possible alternate scenario where Kennedy's leadership endured, thus able to ponder the potential ramifications and the enduring legacy of a leader untouched by an assassin's bullet.

To envision a world where John F. Kennedy survives, we must first grasp the landscape of his presidency. Kennedy, renowned for his eloquence, charisma, and vision, steered the USA, through a period marked by Cold War tensions, economic upheaval, and social transformation. His presidency was defined by initiatives aimed at fostering international cooperation, advancing civil rights, and navigating the intricacies of global politics.

Had Kennedy not fallen victim to assassination, his continued leadership would have undoubtedly left an indelible mark not only on American society but also the world stage.

His commitment to diplomacy and dialogue might have ushered in a new era of détente, easing tensions between East and West and laying the groundwork for more peaceful coexistence. Moreover, his advocacy for civil rights could have spurred further progress in addressing systemic injustices and promoting equality both at home and abroad.

 

Global influence

Economic policies under Kennedy's stewardship might have focused on bolstering infrastructure, investing in education, and fostering innovation, thereby fueling economic growth and prosperity. His ambitious vision for space exploration, exemplified by the lunar landing mission, could have inspired renewed scientific and technological advancements, shaping the future of humanity's exploration of the cosmos, which has only been realized today.

The ripple effects of Kennedy's continued leadership would have reverberated far beyond America’s borders, influencing geopolitical dynamics and reshaping international relations. His emphasis on diplomacy and multilateralism might have led to greater cooperation among nations, averting conflicts and forging alliances based on shared interests and mutual respect.

In the realm of nuclear disarmament, Kennedy's unwavering commitment to arms control agreements could have hastened progress towards a safer, more secure world, reducing the specter of nuclear annihilation that loomed large during the Cold War era. His adept handling of national and International dilemmas, such as the Cuban Missile Crisis, could have set a precedent for defusing tensions and resolving conflicts through dialogue and negotiation.

Moreover, Kennedy's advocacy for human rights and democracy may have inspired movements for freedom and self-determination around the globe, challenging authoritarian regimes and promoting the spread of democratic ideals. His leadership would have provided a beacon of hope for those striving for liberty and justice, amplifying the voices of the oppressed and marginalized.

 

Conclusion

In contemplating the hypothetical continuation of Kennedy's presidency, one cannot overlook the enduring legacy he would have left behind. His vision, courage, and charisma captured the imagination of millions, inspiring future generations to pursue noble ideals and strive for a better world. His tragic and early death robbed the world of a leader whose potential remained largely untapped, leaving behind a legacy tinged with unfulfilled promises and lingering questions of what might have been.

Yet, even in the realm of conjecture, Kennedy's legacy endures as a testament to the power of leadership in shaping the course of history. His words still resonate, his deeds still inspire, and his vision still beckons us forward towards a brighter future. In the end, whether in reality or in speculation, John F. Kennedy stands as a towering figure in the pantheon of great leaders, reminding us of the boundless possibilities that await those who dare to dream and strive for greatness.

 

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It has been 60 years since an assassin’s bullet cut down President John F. Kennedy in Dallas, Texas. The horrific event for America was immediately probed from all angles for any signs of a conspiracy right after the event outside the Texas School Book Depository in Dallas. 

Michael Thomas Leibrandt explains.

Jack Ruby shooting Lee Harvey Oswald. Photograph by Robert H. Jackson. The photograph won the 1964 Pulitzer Prize for Photography.

Three days following John F. Kennedy’s assassination, on November 25, the country mourned his death. We have all seen the incredible images of JFK’s funeral. The Horseless Rider in the procession, Jackie Kennedy walking with RFK and Ted behind the casket. John John saluting his father one last time.

Just over 1,300 miles away also on November 25, the Dallas Police Department was on display in their Dress Uniforms to honor Officer J.D. Tippit’s at his funeral. Tippit was gunned down in a Dallas residential area not long after the assassination of President Kennedy.

Across town in Fort Worth, a very different type of funeral was taking place. Twenty-four-year-old Lee Harvey Oswald, the killer of J.D. Tippit and suspected killer of JFK was being laid to rest in Rose Hill Cemetery. The logistics of this funeral turned out to be the most difficult.

When Oswald’s body was collected in the middle of the night from Parkland Hospital, Miller Funeral Home was surrounded by authorities. Next was the obstacle of getting a clergyman to provide a sermon for Oswald. With a possible concern of sniper fire during the outdoor service, several clergy members backed out.

The 4:00 P.M. funeral had no mourners except for Oswald’s immediate family, who attended as well as authorities and the press. When the time came to carry Oswald from the hearse to the gravesite, local reporters were the only pallbearers who were available to carry the casket.

Then suspicions arose that Oswald was not actually in the casket, that it was instead a spy who was hired to assassinate Kennedy. The casket was opened briefly so that the family could see the body.

 

Exhumation

With suspicions continuing about a spy in Oswald’s casket for years after the funeral, the body was exhumed in 1981 despite Robert Oswald’s objections. When the casket was damaged during the exhumation, and a Texas Funeral Home attempted to sell the original for more than $87,000, Robert Oswald did sue and was able to stop the transaction as well as winning a court ruling.

Shannon Funerals Chapels was originally founded in 1906. The 84-acre cemetery was founded in 1928 and the two united in 1986.

If you visit Oswald’s grave today at Shannon Rose Hill, you’ll no doubt notice the headstone in the next plot that simply reads NICK BEEF.

Since 1996, the headstone has occupied the plot next to Oswald’s. The plot is owned by writer Patric Abedin, who traveled to Fort Worth to see the Kennedys during the 1963 visit. He was propped up on the shoulders of a marine serviceman to see the Kennedys, and this made an impression on Abedin as did his visits to Oswald’s grave as a child.

In 1975, he bought the plot for a $17.50 deposit, and then made monthly payments of $10. In 1996, the headstone appeared with Abedin’s alias.

In November 1967, two teenagers stole Lee Harvey Oswald’s headstone from the cemetery. When it was recovered by authorities, it was returned to Oswald’s mother and stored in a crawlspace under her home, where it remained and changed ownership after Mrs. Oswald’s home was sold after her 1981 death and was finally sold to the Historic Auto Attractions Museum.

Perhaps ending all of the sad, strange events around the final arrangements for Lee Harvey Oswald.

 

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Michael Thomas Leibrandt lives and works in Abington, PA.

While the Kennedy assassination occurred some fifty-eight years ago, the case still galvanizes the American public. There remains a constant fight over the release of records pertaining to the assassination from the National Archives and Records Administration (NARA), QAnon supporters gathered on November 22nd 2021 to await JFK and JFK Jr.’s return, and Oliver Stone is in the process of releasing a new (and quite factually inaccurate) documentary on the Kennedy assassination.

The assassination of President John F. Kennedy still very much remains in the public consciousness and stimulates the minds of many. While the amount of persons who believe Kennedy was assassinated by way of conspiracy has decreased substantially, still nearly 25% of the American public believes there was a conspiracy of sorts, either with the CIA, the Italian-American Mafia, Castro’s Cuba, or the U.S. Armed Forces playing a role.

And one of the most definitive items of proof that conspiracy theorists provide comes from the House of Representatives Select Committee on Assassinations.

Alan Cunningham explains.

President John F. Kennedy just before his assassination in Dallas, Texas, Friday, November 22, 1963. Also in the photo are Jackie Kennedy, Texas Governor John Connally and his wife, Nellie.

The Findings of the House Select Committee on Assassinations

The House Select Committee on Assassinations (HSCA) was an eleven-man committee created in 1976 amidst the aftermath of the Church and Pike Committees and intended to investigate “not only the assassination of Kennedy, but also that of Martin Luther King, Jr.”. In the HSCA’s final 1979 report, the Committee found that “scientific acoustical evidence established a high probability that two gunmen fired at President John f. Kennedy” while stipulating that additional “scientific evidence did not preclude the possibility of two gunmen firing at the President”.

To quote more simply from Encyclopædia Britannica, “a Dictabelt audio recording made from a Dallas motorcycle policeman’s microphone that was said to provide evidence of four shots—that is, three by Oswald and a fourth by another shooter. That fourth shot, a miss, was thought to have come from the grassy knoll. As a result of this acoustic evidence, the HSCA concluded that there had been two shooters and that the assassination was likely the product of a conspiracy”.

Interestingly, this was the only real delineation the HSCA’s final report made from the Warren Commission, which had investigated the Kennedy assassination and submitted their final report over a decade before. To quote from Encyclopædia Britannica, “…the HSCA’s findings were largely in line with those of the Warren Commission (including the conclusion that a shot by Oswald had killed the president and that a single bullet had hit both Kennedy and Connally)... The committee also concluded that neither any U.S. security or intelligence agencies (including the CIA) nor the government of Cuba or the Soviet Union had been involved. It did not rule out the involvement of organized crime or anti-Castro groups, but it could not prove it”.

For the most part, the HSCA made only one demarcation from the original Warren Commission and it came in their analysis and acceptance of the Dictabelt recording.

 

The Evidence for a Second Shooter

On November 22, 1963, the day Kennedy was killed, a dictabelt recording was made. For those younger readers who may be less attuned to such devices, a dictabelt was an analog audio recording device, which came about in the late 1940s and predominantly was used to take dictation.

Essentially, the dictabelt would use “a stylus to emboss a groove into flexible plastic belt, the groove being much like the groove in a phonograph record”. This video here explains the Dictabelt in far greater detail.

On the day in question, a Dictabelt recording was made of all radio traffic coming from Dallas Police Radio Channel 1, the ordinary radio channel used by the Dallas Police Department. Channel 2 was reserved for special events, which the presidential motorcade would be classified as and was recorded using a different audio device. The audio recording lasts for roughly five and a half minutes and begins at 12:20 pm, a minute before the assassination took place. The full audio can be found here.

According to Vincent Bugliosi in his mammoth book on the Kennedy assassination Reclaiming History, “…two acoustics experts from Queens College in New York, Mark Weiss and Ernest Aschkenasy [claimed] based on their mathematical computations and a static-filled Dallas police Dictabelt recording…they were able to discern, from “impulse sounds” and “echo pattern predictions,” that there was a “95 percent or better” probability that the fourth shot was fired from the grassy knoll, and hence, a conspiracy”.

This evidence for the HSCA to claim that Kennedy was assassinated by way of a conspiracy came from these audio recordings and these audio recordings alone. Prior to this, the Committee was effectively going to conclude that Lee Harvey Oswald had committed the act alone and even developed a draft of their final report. Four members of the Committee, Representatives Harold Saywer (R-MI), Robert Edgar (D-PA), Samuel Devine (R-OH), dissented to the final report with Sawyer even stating that the final report was based on “supposition upon supposition upon supposition”.

With this new evidence, the Committee entered into their report that President Kennedy was assassinated by way of a conspiracy. Today, the vast majority of Americans forget that the HSCA also affirmed that a single bullet struck both Governor Connally and the President, that Oswald had fired that round, that no signatory member of the U.S. Intelligence Community nor a Foreign Intelligence Entity (FIE) was involved in the assassination; the only thing that anyone takes away from the HSCA’s final report is that there was a conspiracy to kill the President.

For example, in one of the most notable (and historically inaccurate) films ever made, Oliver Stone’s 1991 picture JFK, a final title scroll reads, “A Congressional investigation from 1976-1979 found a “probable conspiracy” in the assassination of John F. Kennedy and recommended the Justice Department investigate further” while also detailing that the Department of Justice (DOJ) did not further investigate.

Most people remember the headlines, not the rest of the story. However, what gets left out of this story is the continued investigation of the Dictabelt recording by members of the U.S. government, news journalists, and scientific research based Non-Governmental Organizations (NGOs).

 

The Problems with the Conspiracy Claim

Almost immediately, the HSCA’s claim was met with sharp criticism from a wide array of fields and experts.

The DOJ, in spite of Stone’s JFK claiming otherwise, did investigate, commissioning a study from the National Academy of Science (NAS), a non-profit and NGO focusing on the advancement of various scientific fields in the United States. A panel of twelve physicists with a wide array of practical and academic experience in the fields of astrophysics, atomic physics, astronomy, and nuclear physics analyzed the audio recording and released their final report to the DOJ and the public in 1982.

Quoting from the NAS report, the twelve-man panel found unequivocally, “…the acoustic analyses do not demonstrate that there was a grassy knoll shot, and in particular there is no acoustic basis for the claim of 95% probability of such a shot. The acoustic impulses attributed to gunshots were recorded about one minute after the President had been shot and the motorcade had been instructed to go to the hospital. Therefore, reliable acoustic data do not support a conclusion that there was a second gunman”.

In the succeeding decades, additional information has come out placing further doubt on the credibility of the Dictabelt recording.

As briefly mentioned before, one of the best books on the Kennedy assassination is Vincent Bugliosi’s work Reclaiming History, a 1,000+ page work that was an over twenty-year endeavor documenting the assassination, the Warren Commission investigation, and the many conspiracies that have arisen in the over fifty years since the event. Bugliosi mentions the Dictabelt at various points and, in many cases, interviews persons with extensive knowledge of the recording.

Bugliosi writes how the DOJ also conducted their own investigation into the audio, building off of the NAS’ report and, in 1988, disclosed to the U.S. Senate Committee on the Judiciary that they disagreed with the HSCA on the charge of a conspiracy. He also found that the FBI’s Technical Services Division completed their own report on the recording in 1980 and reached the conclusion that the Committee could not conclusively prove that the sounds heard on the recording were gunshots or even came from Dealey Plaza.

Bugliosi also interviewed the Dallas police officer who was allegedly driving the motorcycle from which the recording came from, H.B. McLain. McLain had testified to the Commission that his own radio had been stuck in the “on” position, allowing the audio to be recorded, yet had done so without listening to the audio in question.

Hearing the recording later, McLain informed Bugliosi that the recording’s movements did not match his own actions on November 22nd (McLain followed the presidential motorcade the entire time from Dealey Plaza to Parkland Hospital with sirens on the entire time while the recording appears to have sirens simply passing by). McLain also claimed that the motorcycle’s engine from the recording was from a three-wheeled motorcycle while he only ever drove a two-wheeled motorcycle.

Other discrepancies within the audio can be heard, such as noise from the crowd never being heard on the recording in spite of the fact that hundreds had come out to see Kennedy’s motorcade in Dallas and were making raucous noise throughout the procession.

In 2001, a rather important development occurred that, to some, seemed to vindicate the HSCA. Publishing in the peer-reviewed journal Science & Justice, Dr. Donald B. Thomas, an independent researcher of the Kennedy assassination and a research entomologist with the USDA’s Agriculture Research Service, claimed that the NAS study was flawed and that the HSCA’s original conclusion was in fact accurate. He writes, “The validity of acoustic evidence for a gunshot from the ‘Grassy Knoll’ was challenged on statistical grounds and on the basis of an anomaly on the Dallas police recordings. However, the assumptions underlying those criticisms were not in accord with evidence overlooked by the review panel. With a rigorous statistical analysis one arrives at a calculation for the probability that the recording contains a random pattern which by chance resembled the acoustic signature of a gunshot from the Grassy Knoll”.

This journal article prompted a re-investigation of the Dictabelt recording by various authorities and persons.

In 2003, multiple investigations were performed. Court TV commissioned an analysis by the signal analysis firm Sensimetrics, Inc. for a November episode of their program Forensic Files which “concluded that there is no valid evidence for gunshots on the Dallas Police Department (hereinafter DPD) recordings… the match between the suspect sound pattern on the DPD recording and a test shot fired from the grassy knoll, was no greater than expected to occur by chance”. After the episode premiered, Thomas wrote an article aiming to rebut the conclusions made by Sensimetrics and Court TV.

Also in 2003, Peter Jennings of ABC News, for the program Peter Jennings Reporting, analyzed the Dictabelt recording and came to the conclusion that the sounds recorded on the Dictabelt could not have come from Dealey Plaza and that H.B. McLain could not have been the originator of the recording as he had yet to enter the Plaza with the rest of the presidential motorcade. The reporting in this documentary also won the Edward R. Murrow Award for News Documentary in 2004.

Interestingly, some independent researchers have criticized both the NAS report and Thomas’ conclusions. Michael O’Dell, writing for The Kennedy Assassination blog in 2003 (the personal project of Associate Professor John Charles McAdams of Marquette University), concluded that the timeline both Thomas and the NAS relied upon was faulty while also finding that original claim of a “95 percent or better” probability that a shot came from the Grassy Knoll was logically unsound. In spite of this inaccuracy on the part of the NAS, O’Dell notes that, “Although the [NAS’] timeline is inaccurate, mostly due to the misunderstanding about the Audograph mechanics and missing the skips, the corrected timeline still supports their conclusionthat the impulses occurred after the shooting”.

Perhaps most significantly, many of the original investigators from the twelve-panel NAS report published their own article in response to Thomas’. In 2005, publishing in Science & Justice as well, five of the original twelve wrote, “We affirm the NRC conclusion “that the impulses attributed to gunshots were recorded about one minute after the President had been shot and the motorcade had been instructed to go to the hospital.” We also show that if, instead, the HOLD synchronization is ignored and the “YOU . . . Stemmons” synchronization is used, the first sounds alleged to be from shots occur at least 30 s after the assassination” while also noting that Thomas’ analysis utilized “erroneous parts of the Committee’s analysis of the Bowles recordings and combined it with an erroneous implicit assumption…”.

Despite this, debate still raged on. In 2013, Professor Larry J. Sabato, Director of the University of Virginia’s Center for Politics and a Professor of Politics, commissioned an analysis of the Dictabelt recording, coming nearly fifty years after the assassination.

Utilizing various improvements in acoustical analysis and digital methods, Sabato’s commissioned team from Sonalysts, Inc. came to the overall conclusion “The evidence obtained suggests that the motorcycle was not part of the motorcade and therefore was not in a position to record the sounds of gunfire”. Expanding upon this in their conclusion, the team states, “These data uniformly indicate that the motorcycle with the open microphone was not part of the motorcade. Therefore, it is unlikely that the motorcycle was in a position to record the sounds of gunfire. Based on these observations, we conclude that the Dictabelt recording is not applicable to the identification of assassination gunfire”.

 

Conclusion

The Dictabelt recording has been analyzed again and again and again. Repeatedly, it has been shown that the Dictabelt recording has been inaccurate and scientifically incapable of proving a conspiracy to assassinate President Kennedy. There are far too many inconsistencies for it to be utilized in any kind of argument. In fact, in 1986, there was a televised criminal trial put on by London Weekend Television in which Lee Harvey Oswald was tried for the murder of President Kennedy; Vincent Bugliosi played the role of the prosecutor (which would later inspire him to write the book Reclaiming History) and Wyoming based criminal defense attorney Gerry Spence representing Oswald.

Throughout the entire trial, Spence never once brought up the Dictabelt recording, as even he knew that utilizing this would damage his client’s case. This was even before the DOJ’s 1988 report in addition to the various scientific and investigative analyses performed with more advanced equipment in the 21st century. This to me is quite telling as Spence either knew the Texas jury would not be swayed by such evidence or would have no significant basis in having his client be freed.

To put it simply, the Dictabelt recording has been proven to have far too many inconsistencies for a criminal trial or for usage in determining the surrounding aspects of the assassination. Furthermore, even when combined with all of the additional forensic, documentary, eyewitness, and ballistic evidence the end result is the same; the only logically valid conclusion is that Lee Harvey Oswald, acting on his own, assassinated the President from the Texas Schoolbook Depository.

Various government commissions and committees, federal agencies, journalists, and historians have never been able to link a U.S. federal intelligence or law enforcement agency, the Italian-American mafia, the Johnson administration, Castro’s Cuba, the Soviet Union, or the U.S. Armed Forces to the assassination beyond circumstantial evidence. There has never been any conclusive, indisputable evidence put forth that shows a conspiracy or identifies another shooter or rifle used in the assassination.

The HSCA’s final report was written with the best of intentions, to examine the subject fully and try to either verify or refute the claims made by the Warren Commission. In the end, due to sensationalist and baselessly conspiratorial forces like Mark Lane, Oliver Stone, and L. Fletcher Prouty, the American public has gained a severely misinformed view of the assassination, which continues to cause problems for society and politics.

 

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In 1963 President John F. Kennedy gave a powerful speech on the arts in America. But what is less known is that Kennedy’s speech was heavily influenced by his wife Jacqueline Kennedy. David Huff explains.

Jacqueline Kennedy in May 1962.

Art and history

On Saturday, October 26, 1963, President Kennedy gave a speech to the students at Amherst College as he dedicated a library named for the American poet Robert Frost, who died on Tuesday, January 29, 1963. The speech was rich, eclectic, and moving as he galvanized a generation of Americans not only to lead lives of civic commitment, but also to challenge the conventional power structure that existed in America at that time.

The speech is well known for its stirring statements in which the late-President issued a clarion call about the hope and possibility for American society. Kennedy, who was ahead of his time, spoke eloquently when he declared:

"I look forward to a great future for America, a future in which our country will match its military strength with our moral restraint, its wealth with our wisdom, its power with our purpose. I look forward to an America which will not be afraid of grace and beauty, which will protect the beauty of our natural environment, which will preserve the great old American houses and squares and parks of our national past, and which will build handsome and balanced cities for our future"

"I look forward to an America which will reward achievement in the arts as we reward achievement in business or statecraft. I look forward to an America which will steadily raise the standards of artistic accomplishment and which will steadily enlarge cultural opportunities for all of our citizens. And I look forward to an America, which commands respect throughout the world not only for its strength but for its civilization as well. And I look forward to a world which will be safe not only for democracy and diversity but also for personal distinction."

 

Yet, Kennedy also issued a warning that is true today as it was in his time:

"And the nation which disdains the mission of art invites the fate of Robert Frost's hired man, the fate of having "nothing to look backward to with pride, and nothing to look forward to with hope."

 

Jacqueline Kennedy and the arts

In our contemporary society, we need to improve the growing differences that divide us as a civilization. The ongoing discussions and vitriolic debates regarding race, poverty, social unrest and economic disparity fail to provide a positive impetus for a consensus as to the course of action. Yet, many Americans do not realize that President Kennedy's innovative speech at Amherst was, in fact, influenced by the artistic mind-set of Mrs. Kennedy when she was first lady. Eclectic and forward thinking, she adopted as her mantra that successful civilizations can achieve a cultural renaissance by cultivating the reservoir of talent and individual ingenuity that resides within its people.  Mrs. Kennedy understood that other parts of the world, such as Europe, had implemented cultural policies not only to preserve their unique cultural heritage, but also to broaden public participation in cultural life. For example, Belgium, France, Denmark, Germany, Greece, Luxembourg, Spain, Ireland, Italy, and Britain are countries that promote an active cultural policy in their respective countries. Mrs. Kennedy believed that if these Western civilizations engaged in the improvement of the cultural and artistic fabric of their modern-day societies, America had the power to create a Department of Culture that would provide the basis for an educated exchange on the improvement of our own unique culture.

The creation of a culture department could help oversee the National Endowments for the Arts and Humanities, assist colleges with instituting and preserving arts management programs; and assist in the coordination of complex and myriad tasks that confront major artistic American centers and symphonies. In addition, a Department of Culture could conduct arts and cultural economy studies, develop cultural plans for neighborhoods or cities or towns that elevate eclectic cultural communities and assets, and allocate workforce investment and small business administration, and community economic development funds to arts and culture organizations. 

Furthermore, a culture department could work closely with major American music festival organizers - such as those at Aspen and Interlochen, the Tanglewood Music Festival, and the Wolftrap National Park for the Performing Arts - to encourage and assist young people, via corporate and privately sponsored scholarships, to study the performing arts.

The generous commitment of corporations, foundations, nonprofit groups, individual donors and others to invest time and resources in support of a department of culture would greatly benefit children and youth and provide the impetus for the kind of bold and creative synergy that the performing arts really need for continued growth and development in America. Prominent organizations, such as The Ford Foundation, The Catherine B. Reynolds Foundation, and The Andrew W. Mellon Foundation have demonstrated a keen interest in promoting and supporting arts organizations throughout the United States.

 

Lack of Artistic Willpower and It’s Consequences

Unless there is a concerted effort, however, on the part of government, corporations, private philanthropy, and grass-roots organizations, the political climate - and debate - concerning the arts is likely to get worse. Throughout our nation, politicians are cutting arts programs in the public schools and universities at both the state and federal level. In addition, artistic institutions, such as symphony orchestras, are struggling to survive due to a lack of corporate sponsorship and poor ticket sales. One might ask if poor ticket sales are a direct result of the decease in music and art programs in public education. As these programs have been the first to be cut in education over the past forty years, there goes any chance for children to gain knowledge and an appreciation for classical music and art.

 

Conclusion

The creation of a culture department in America is not quixotic, even in these turbulent times. In our multicultural society, the partnership between the government and corporations and individual philanthropy in sponsoring a department of culture would provide the engine for an infusion of creative, engaging and innovative ideas that will inspire people regardless of race, gender, and economic background to reach for something better. Artistic expressions would serve as a beacon of hope and promise in a world enveloped by skepticism and uncertainty. To those who suggest we cannot afford to implement a Department of Culture, I reply that America cannot afford not to do so. We have the funds to create a Department of Culture, we simply need to summon the will and self-discipline to raise the cultural bar in our country. The missing link, however, is the political willingness to embrace, to encourage a forward-thinking enterprise capable of creating a cultural renaissance in America. To that end, the American people - particularly the young - deserve a better society that benefits all of our citizens, not just a few.

 

What do you think of Jacqueline Kennedy and the arts? Let us know below.

David M. Huff was born in Wheeling, West Virginia in 1968. A violist, he studied with the Pittsburgh Youth Symphony Orchestra from 1983-1984. He attended the Interlochen Arts Festival and Interlochen Arts Academy from 1984-1986 and also participated in the Boston University Tanglewood Institute's Youth Program during the summer of 1986. He earned a B.A. in History from West Virginia University and an M.A. in History/Research from West Virginia University. He works in a Washington, DC International law firm as an Intellectual Property Trademark, Litigation, and Patent Specialist.