The TV series Chernobyl has been the subject of acclaim by many people. Here, Shannon Bent returns and gives us her generally positive take on the series. However, she also considers the inaccuracies in the show and some of the negative impacts, including the vandalization of the Chernobyl area.
This follows Shannon’s articles on Berlin’s Checkpoint Charlie (here) and Topography of Terror (here), the UK’s Hack Green Secret Nuclear Bunker (here), and the definition of a museum (here).
A 2013 photo of a ferris wheel in Pripyat, the town in which the Chernobyl power plant was. Source: Tiia Monto, available here.
We all love a good war film, or period drama TV show. History carries its own drama and intrigue that we can capitalize on and use for entertainment value. And yes, it is okay to say that you are interested in a movie about the darkest moments for the human race; arguably it is part of the human condition to have interest in ‘horrible’ subjects. And then big film companies have a fantastic ability to take these already amazing, impressive, unbelievable historical subjects and add even more drama, explosions and death to it. Sometimes to the point of impertinence.
As a historian, historical accuracy is the most important thing in not only my work, but in my own time when enjoying TV, books and films. I enjoy action, drama, suspense. But all this cannot be at the expense of historical accuracy. There’s just no need for it! There are so many war films that take drama and action over the heroic stories of those that actually fought and it is a huge shame.
Moving away from war
I’m going to move away from war for a moment. I know, shock. In my defense, when you have a degree in something, it tends to occupy your mind more than other subjects. But the first piece of popular culture (using a term harping back to my Sociology class) I want to speak about is the recent HBO series ‘Chernobyl’. I don’t wish to use the word ‘masterpiece’ more than once in this series of articles so let’s get it out of the way first off. This series was a masterpiece. I have never been more gripped, more hooked, more moved, by a piece of cinematography than I was by this mini-series. I was skeptical at first. While the writers, producers and cast list was enough to make anyone impressed, it was the topic that concerned me. We have a tendency to wait a few decades before we begin to encompass historical events like this into popular culture. That, or we begin fairly soon after the event so that it is fresh in everyone’s mind and people that were apart of it can be involved if they wish. The Chernobyl disaster happened in 1986, and not only that but during the most secretive period in the world’s history, the Cold War. (Okay, I lied. I said there was no war in this one. There is. Sorry.) This makes accurately commenting on the subject tricky to say the least. For a start, of course 1986 is within many people’s lifetimes. However, to be crude and obvious about it, not many people that were there have survived to be able to tell their story today. Furthermore, anything that happened within the Soviet Union was kept under tight lock and key, and even with the downfall of the regime in 1991 that supposedly made archives and records accessible to governments, journalists and historians, knowledge on everything that occurred is sketchy at best. Let alone knowledge on a subject as damming as this.
So, I was skeptical. I was worried if it was going to be handled sympathetically, accurately, and without too much political correctness when it came to ‘pointing the finger’ so to speak. There were many things that could have gone horribly wrong. But we were all in for a positive shock.
The Bridge of Death
The series begins a mere few hours before the disaster occurs yet does a fantastic job at setting the scene in communist Ukraine. It presents Pripyat as the purpose-built town it was intended to be – all existing purely to house workers for the power plant. Filmed in previously communist Lithuania, the architecture is perfectly Soviet. The reactor room was reconstructed on the set with minute accuracy, but we have photos to help us with that. This means costumes etc. can be fairly accurate too. These things should be correct; however, like I say, photos and, lets be honest, logic, should lead to these things being accurate. It’s the smaller matters that may be an issue.
I’ve just spent the last half an hour annoying my parents who are trying to read the newspaper by reading out lines from various articles I have found online about the accuracy of this series. There seemed to be a consistent item that was cited in these articles – ‘The Bridge of Death’. In the first episode, it is shown that many residents of the town went to stand on a bridge that directly faced the power plant to watch the fire, and this eerie blue glow that sat above it. The episode also depicts a type of ‘ash rain’ falling onto the skin of the onlookers, adults and children alike, presumably radioactive ash. At the end of the episode, in a manner that a lot of historical dramas like to adopt, the producers add in comments about what has been more accurate or extra information about scenes shown before. The comments at the end of this episode claim ‘of the people who watched from the railway bridge, it has been reported that none survived. It is now known as ‘The Bridge of Death’’. This has been highly disputed by just about everyone. A BBC article containing the comments from Mr Breus, an engineer at the power plant and eyewitness of the disaster just hours after it happened, says that many people would have slept through the night and would have only been aware of the explosion the following morning. I am inclined to agree. Depending on how loud the explosion was (and I know that sounds potentially stupid, it is an explosion. It’ll be damn loud. But what I mean is, taking into account proximity to the town, surrounding terrain etc., it may not have been loud enough to wake some people) many people may have continued to sleep unaware. The series practically implies that half the town took a picnic up to the bridge to go and watch. Also, I do not wish to insult the intelligence of the people of Pripyat by implying that an explosion or fire at a nuclear power plant is something to go and watch like one would a firework display. It is more likely that even if residents were aware, most would have done the smart thing of staying in their homes until morning and awaiting official information.
Google this concept and you will find forum after forum, website after website, thread after thread, about how there is no evidence of this being true. Keep in mind this is one of the most highly researched events in history, and I don’t just mean by historians. Every sector of science has taken this one under its wing; environmental scientists, human scientists, biologists, chemists, physicists, sociologists, anthropologists. You name it, they have studied it. Not to mention historians, journalists and writers collecting eyewitness accounts and numerous stories from just about every element of society in Pripyat. If there was a notable amount of people collecting on a bridge to watch the biggest nuclear disaster in history, someone would have noticed the pattern and commented on it. Perhaps this is a case of drama for drama’s sake. People are pretty annoyed about this point. It’s a fairly large misleading point, and furthermore to claim that everyone depicted died is even more misleading.
Chernobyl Tourism
There are various other historical inaccuracies that people have pointed out, and a few accounts of drama for drama’s sake. Overall though, the consensus is that the series was done sympathetically, mostly accurately and with fantastic self-awareness of the enormity of what they were commenting on. Even I, who believe that historical inaccuracy is the worst thing people could grace TV and cinema with, can overlook these elements in favor of overall understanding better the hell that these people went through in dealing with this disaster. But more to the point, very much more to the point than my last 1,000 words have been, far worse and sinister things have come out of this series than just a few historical inaccuracies or dramatization of the facts.
I will forever maintain that the human race is its own greatest vice. We are an incredible species; we develop and research and discover. We advance at the speed of light to make our lives better. Yet we are still infinitely stupid. Within a month of the series airing on its various platforms, visitors to the exclusion zone rocketed in numbers. I guess to be expected, to an extent. If you draw attention to any historical site or event in popular culture, you are, by definition, making it popular. This is very much the point of this series; making history popular and how we react to it. I will also admit my guilt in jumping onto this bandwagon. Many times I have seen a site on TV or read about it in a book or article and insisted on going to see visit it. After all, standing in the place in which history has occurred brings it to life, as I have said before. However, I must say, not many of these places I have been eager to visit contain the most radioactive areas of land on the planet. I considered it, once, when I was looking for interesting trip destinations. While it was cheap to visit (it has considerably risen in price now as I’m sure you can imagine), it was a fleeting consideration and it was short-lived.
However, unfortunately, many people aren’t flocking to the site to pay their respect to history, to the people that lost their lives because of the tragedy. No, instead they are going there to take selfies and graffiti the buildings. And it is not just the visitors that are capitalizing on ‘dark tourism’. Online and at the site there are gift shops selling souvenirs such as t-shirts with the radioactive symbols on, ‘radioactive glow’ mugs and key rings, fridge magnets and hats. But perhaps more disturbingly than all of this, the official souvenir vendors at the checkpoint entering the exclusion zone are selling bottled ‘radioactive air’ and ‘Chernobyl ice cream’, supposedly made from the contaminated milk of local cows. The amount of times I have used inverted commas in this article to do with this topic is disturbing to me. These elements of gifts and souvenirs are fairly alarming when you consider that they are supposed to be a thing which would give the user radiation poisoning. Apart from being totally stupid, it is the most appalling, unethical, amoral thing I have ever read in my life.
Reading up on what these tours off, how these tour companies bring bus after bus of people in, making their guests spend longer at these souvenir stands than at the actual site, and then allow these visitors to pick things up, climb into buildings, vandalize the area and litter the now reclaimed wildlife-filled forest is utterly disgusting. Both parties are to blame here. Yes, the people should know better; have some basic humility. But these tour companies shouldn’t be allowing such vile behavior in such a dangerous place. Ultimately, the bottom line is that while living history is amazing, and the concept of standing in the very place that history happened is very important to many including me, this should not be happening. Who is to blame is to be debated, of course, and is hotly contested. To me, everyone is. Everyone from the tour companies to the people behaving badly on the tours are all throwing their hat into this ring of destruction and in some manner competing to see who is worse.
The importance of the media in popularizing history
The question is, seeing as this has all stemmed from the HBO series as the popularity of the site rose along with the viewing figures of the show, how much is the entertainment industry to blame? And I’m referring to more general concepts too, not just Chernobyl; World War battlefield sites and movies, areas of natural beauty that appear in the media, these are all places that have been affected by the emergence of media popularity through TV and film.
Ultimately, I feel the question is should we have to miss out on educational and entertainment opportunities of TV and movies so that idiots don’t know where to go to defile and destroy an area of great importance to humanity.?
This seems harsh maybe. But if you’ve read anything else I’ve written you may know by now I pull no punches in these articles. I’m fed up with people thinking that their stupid actions should take priority over the preservation of a place in which people lost their lives to try and save others. Not many things can make my blood boil like this topic does. I was beside myself with anger when I began reading the articles I have mentioned and quoted in this piece. I do not believe we should stop creating fantastic pieces such as the series Chernobyl just in case someone decides that they want to graffiti a radioactive building or somebody decides to capitalize on a very real deadly concept of radioactive material and uses it to sell some kind of ‘quirky’ and ‘individual’ gift. However, I feel ultimately this is the price we pay if we wish to encompass sites such as Chernobyl into popular culture. It doesn’t matter how good your intentions are, how historically accurate you make your show, you always run a risk of being misconstrued or misinterpreted or simply people missing the point that this area is a) dangerous, b) should be protected, and c) is sacred to the people that once lived there and witnessed this disaster. Even if you can beautifully articulate this point in your work, as I feel Chernobyldid, capitalism will continue to roam free in the area and people will continue to not understand why taking smiling selfies in a reactor room where people lost their lives is in poor taste, to put it mildly.
Creating series like this are so important for everyone, and I cannot express how vital it is for everyone to understand this topic, no matter how little of it they understand. And if we remove the tour guides, the souvenir shops and the memorabilia, the Chernobylseries has achieved its main goal: one thing is for sure, the disaster of Chernobyl on the April, 26 1986 will never be forgotten.
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