Much of historic research relies upon an analysis of broad events through a general historical context. We as historians tend to put emphasis upon significant events and people and explore as far as we can to try to contribute to larger scholarly debate. However, sometimes its best to start small in a place that does not necessarily look like it has much to offer as to uncover histories that largely remain forgotten or undervalued. Here, Roy Williams considers a place in downturn Atlanta from Reconstruction to the present.

An 1887 depiction of Atlanta from Harper’s Weekly.

In exploring the Forsyth, Marietta, Farlie block going back to the train tracks, the current buildings do not necessarily show easily distinguishable historic buildings. Currently the Marietta Carrier hotel building stands at 56 Marietta Street with the company Digital Realty operating a telecommunications business. Behind the Carrier Hotel at the 10 Forsyth address, a parking lot stands next to the train tracks. The only other building which has a connection to the block is the abandoned Atlanta Constitution building on 143 Alabama street. While this building is not on the block it serves as a connection to the block in exploring the history of the Atlanta Journal and Constitution as both companies occupied the block at one point. The current Marietta Carrier Hotel building has a plaque commemorating the first Georgia State Capitol which stood on the block from 1869 to 1889 and was razed in 1900. Out of relative significance, the story of the block begins with the first Georgia State Capitol.

To describe the block effectively, a chronological order is established throughout this paper spanning from the 1860s to the present. A general history of the area also stands as accompaniment in understanding how the block changed throughout the trajectory of history and how certain events affected changes at the Forsyth, Marietta, Farlie block. Certain aspects of the block’s history are emphasized over others to contribute original primary source research as well as out of pragmatism due to the relative lack of sources on some businesses that occupied the block that were not necessarily as historically significant. References and pictures are detailed in footnotes as well as the end of the paper in the bibliography and index.

After the destruction of Atlanta at the hands of Union forces during the Civil War the state capitol was moved to Atlanta from Milledgeville as the center of Georgia government. Multiple primary source documentation exists detailing this move as well as the process by which the building was updated to house the Georgia State Capitol. Prior to serving as the first Atlanta based Georgia state capitol the building was the Kimball Opera House which was constructed by the brothers Edwin Kimball and Hannibal Kimball and would be purchased by the State in 1870. From 1869 to 1889 the Kimball Opera House served as the state capitol and post office. An advertisement from 1870 details this showing the new state capitol with its characteristic clock tower announcing the building as Kimball’s Opera House serving as the Georgia State Capitol and Post Office.[1] Hannibal Kimball was an entrepreneur and had a significant impact as a wealthy businessman in moving the state capitol from Milledgeville to Atlanta. The 1889 History of Atlanta, Georgia, with Illustrations and Biographical Sketches of Some of Its Prominent Men and Pioneers describes Kimball’s significant role stating that, “The first work of a public character in which he took a prominent part was in relation to the location of the state capitol at Atlanta. He saw the advantage to accrue to the city by its selection as the legislative center of the state, and he lent all his influence and power to further this end.”[2] The city purchased the building for 100,000 dollars after originally leasing it.[3]

 

To Atlanta

In 1877 the Georgia Constitutional Convention voted to permanently move the capital to Atlanta, and in 1879 acquired the City Hall tract, which in 1880 was finally transferred to the state of Georgia. The legislature in 1883 agreed upon a budget of one million dollars for the new state capitol. This budget required that all materials for the new capital be sourced from Georgia rather than out of state.[4] Details of the construction of the new capital as well as the Austell building are present in the account book of William B Miles. Listing the costs, profits, and materials for the construction of such buildings as the Georgia State Capitol Building; Inman Building; Austell Building; Fulton County Court House Annex; and the police station and stables. William B Miles pocketbook July 1888 entry lists the costs of constructing the new building at 539,810.33 dollars not including labor with a net gain of 188,510.43 dollars.[5] The one-million-dollar budget established in producing the new capital as it moved from the Kimball Opera House to its permanent location stands as beneficial when considering the construction of the Austell building and the Forsyth viaduct.

The Austell Building was designed by the architectural firm, Bruce and Morgan and completed in 1897. The building was Financed by William W. Austell, and the twelve-story office building cost $300,000 to build. It was located on Forsyth Street adjacent to the Western and Atlanta Railroad in downtown Atlanta, Georgia where the current 10 Forsyth parking lot stands.[6] William B Miles account book also lists details regarding the Austell building in 1888. Since the building was completed in 1897, this entry appears to be something of a punch list of detailing finishing costs regarding the building such as an entry detailing the cost of paying for an architect report at 771.00 dollars.[7]Intriguingly there is another entry regarding the cost of bridgeworks materials and labors which could potentially point to the Forsyth Street viaduct beside the Austell Building and Kimball Opera House. The 1888 February entry right after the Austell building entry regarding bridgeworks details the cost of stock materials for the bridge at 4715.80 and the supplies at 1522.62 dollars, certainly a far cry from the massive budget of the Georgia State Capitol.[8] Whether this bridge entry refers to the Forsyth Street Viaduct is difficult to say but its proximity to the Austell building entry gives reason to consider its possibility. A photo from 1907 displays this viaduct with the Austell building in the background after the Kimball Opera House/Georgia State capital were razed in 1900.[9]

The 1907 Sanborn Fire Maps show the Austell building once again describing it as a fireproof building with another building occupying the grounds where the Kimball Opera House once stood. The Sanborn Fire maps list a lodge hall and general hardware and machinery regarding this other location.[10] The 1919 Foote and Davies Company Atlanta birds eye view atlas shows the block as having the Austell building facing towards the Forsyth Viaduct but also shows the site where the Kimball Opera House/Georgia State capitol used to stand as being listed as a multi-story building titled transport.[11] The 1910 building lists the Forsyth Marietta intersection as containing the Austell Building and Georgia News Co at 10 Forsyth with 8 and 9 Forsyth remaining vacant. It also lists the Brown-Randolph building at 56 Marietta Street with rooms being occupied by businesses such as Dunbar and Sewell Brokers, Ajax Lumber, Southern Flour and Grain Company, General Adjusting Company, Georgia Farm Mortgage Co, and the Brown and Randolph law practice.[12]

In addition to the city directory, there is a court case detailing the construction of the building in 1917 by the Brown-Randolph Company who paid an architect, A. V. Gude, Jr. The supreme court case lists that, “On July 30, 1917, petitioner determined to erect an eight-story building on its property at the southwest corner of Marietta and Forsyth streets in the city of Atlanta, Ga., employing Brown as architect and the Gudes (then partners under the name of Gude & Co.) as contractor. The contractor, in a letter to the architect on June 28, 1917, stated that the building would cost $375,000, including the commissions of Gude & Co. Following said estimate, on July 30, 1917, petitioner entered into a written contract with the contractor relative to the construction of said building. Under the terms of the contract the building was to be erected complete in every detail and delivered to petitioner, free of all liens, at and for the sum of not to exceed $375,000.”[13] The building was completed in 1919 but not within the 10-month contract and the price of construction ran over the agreed upon $375,000 cost of construction. The judgement was ultimately found for the defendant. The 1920s Atlanta city directory[14] lists the Austell building as well with dozens of businesses at the 10 Forsyth address, however the Brown-Randolph building was now listed as the Transport building just as it had been listed in the 1919 Foot and Davies Atlanta birds eye view atlas.[15] Finally the 1940 directory shows the Atlanta Union station behind the Austell building as well as the Western Union Building where the current Marietta Carrier hotel stands at present.[16]

 

Atlanta Union Station

The Atlanta Union Station was built in 1930 in Atlanta between Spring Street and Forsyth Street. It succeeded the two previous Union Stations. The previous 1853 Union Station ran from 1853 to 1864 and was ultimately burned by General William Tecumseh Sherman’s forces in the Battle of Atlanta. The second Union Station was built on the same site as the first in 1871 and would operate from 1871 until 1930 when it was torn down for the 3rd Union Station to be built.

The Atlanta Union Station served the Georgia Railroad, Atlantic Coastline, and Louisville and Nashville line. The structure was designed and built by McDonald & Company of Atlanta, Georgia. The station would eventually be razed in the early 1970s. The Union Station can be seen circa 1935 with the Austell building in the background across the Forsyth Street Viaduct.[17] The Atlanta Union Station would stand in operation until 1971 when it was closed and demolished in 1972. The destruction of the 1930 station is shown in multiple archival photos from the Atlanta History Center, displaying the utter loss of architectural history and cultural continuity that are significant to the buildings constructed in the late 19th century and early 20th century.[18]  A 1949 map of downtown Atlanta by the publication Gay Atlanta recirculated by the Atlanta Time Machine shows the block including the Union Station, the Western Union building, the Lucy Wood Cafeteria, and the Atlanta Journal as residing on the block.[19] While there are less sources pertaining to the Lucy Wood Cafeteria, there remains a litany of resources documenting the Atlanta Journal’s tenure at 10 Forsyth Street. A 1950 picture of the block confirms this map’s details, displaying the Western Union building, Lucy Wood Cafeteria, and the Atlanta Journal.[20]

Western Union building

The history of the Western Union building has a brief intersection with Atlanta labor history as, in 1971 the United Telegraph Workers went out on strike against the Western Union Telegraph Company. A 1971 New York Times article details the demands of the workers, saying, “The telegraph workers have asked for a two‐year pact with 16 per cent wage increases each year, Mr. Hageman said. Workers now average $3.37 an hour. The company said its offer included 10 percent increases in each of the two years.”[21] E. L. Hageman, the union president authorized the strike once negotiations with the Western Union Telegraph Company collapsed. A June 1971 photograph shows two AFL-CIO workers participating in the Strike.[22] The AFL-CIO was formed in 1955 when the American Federation of Labor and the Congress of Industrial Organizations merged. A 1972 Atlanta Constitution article details how the strike left 450 Atlanta workers idle interviewing a soon to be retiring striking employee, James Maxwell who said, “You gotta do it, Itl be better in the end.”[23] The article also describes how the workers were not only picketing for better pay but also for a continued nationwide Western Union office presence of 1300 rather than the proposed cutback to 300 offices that was originally planned before the strike. While the strike was well intentioned in maintaining the livelihoods and economic liberty of Western Union employees in Atlanta and throughout the nation, the writing was on the wall for the telegraph industry. The expansion of the telephone at the expense of the telegraph in addition to the Western Union Telegraph Company’s aggressive diversification ultimately pointed towards the decline of the telegraph industry.[24]

The Atlanta Journal was founded on February 24, 1883, and the Atlanta Constitution was first published on June 16, 1868. Both newspapers bounced around multiple locations around the area ranging from Alabama street, Marietta, and different sides of Forsyth. The Atlanta Journal and Constitution were in direct competition with one another but ultimately in March 1950 became under common ownership. While under common ownership they would still work in competition until they were merged in 2001. The Atlanta Journal and Constitution worked with such journalists as Henry Grady who lobbied for the industrialization of the south during Reconstruction and coined the term “New South” in relation to this industrialization. As well as such figures as Margaret Mitchell, author of Gone with the Wind, and Ralph McGill an early voice for racial tolerance in the south.[25]

 

 

10 Forsyth Street

The Atlanta Journal would occupy 10 Forsyth Street from 1949 to 1972. The Atlanta Journal building sat in between the Austell building which was then called the Thrower building at that point, and the Western Union Building. The Atlanta Constitution would soon move into the same building as the Atlanta Journal. While both media companies were under the same ownership, they worked in direct competition. This combination of both companies under the same roof would inevitably lead to the combination of both the Atlanta Journal and Constitution into the AJC of present. When both companies moved to their next location at 72 Marietta Street, the building which had once stood beside the Austell building and housed the historic Atlanta Journal and Constitution would be demolished in 1973 leaving the Western Union or Marietta Carrier Hotel as the only building left standing. [26] The Atlanta Journal demolition can be seen in the archival photo provided in the Central Atlanta Progress, Inc Photographs collection which displays the building being gutted beneath the iconic “Covering Dixie Like the Dew” motto.[27] The only remnant of the days of the Atlanta Journal and Constitution on the block stands in the dilapidated building across the train tracks at 143 Alabama Street which house the Constitution from 1947 to 1953.

The development of the block from reconstruction to the present and the change in buildings serves as a cautionary tale when considering its trajectory from a historical preservation perspective. The only remnants of the history of the block stand in the current Marietta carrier hotel building with a plaque commemorating the Kimball Opera House and a statue of Henry Grady in the middle of Marietta Street. The reality that the Austell building, Atlanta Journal, and Union Station were all demolished in the 1970s follows a broader trend in urban planning which saw the destruction of many historic buildings throughout the nation. While the National Historic Preservation Act of 1966 provided the framework to preserve certain buildings, the 1970s saw the destruction of many buildings for new development. The most frustrating aspect of this development on the Forsyth, Marietta, Farlie block stands in the reality that no new buildings were built after the destruction of the previous historic properties. The area around the railroad tracks is near the Atlanta downtown area known as the Gulch, in which development projects have been planned but have never come to fruition. Jeremiah McWilliams detailed in a 2012 article how revitalizing the area into a transit hub would ultimately be a net positive economically, stating, “The city and state have struggled for years to gain traction on a transit hub envisioned for the area residents known as the “Gulch.” The sunken tract of downtown, spread for acres around CNN Center, is crisscrossed with railroad tracks and parking lots. Late last year, the Georgia Department of Transportation signed a $12.2 million contract for a new master plan with a team of contractors experienced in large-scale developments.”[28] This funding has not made any discernible change on the Forsyth, Marietta, Farlie block bordering the Gulch.

The economic growth and development that ultimately led to the demolition of many historic Atlanta buildings led to conflict in managing the city’s urban planning. As stated by Michael Elliot, the population of Atlanta grew by over 25% over the 1980s and the office inventory of the central city increased by 50% in the central city. By this point the Forsyth, Marietta, Farlie block had lost all its historic buildings but the Maritta Carrier Hotel, however this growing opposition to development in the interest of historic preservation follows the larger trend in historical preservation in Atlanta in attempting to conserve what was left from the demolitions of the 1970s.[29]

Rather, Elliot describes how a new mediation process was initiated in attempting to soothe tensions between the forces of economic development and historic preservation. This mediation process required a 9-month negotiation in finding consensus regarding development and preservation of properties but most importantly established a new system for categorizing, designating, and protecting historic properties. Mayor Andrew Young while originally in opposition to historic preservation eventually relented and supported the concept arguing that it was in the public’s interest to preserve certain aspects of the city’s history.[30]

 

Changes

It is important to consider that while the properties that once stood at the Marietta, Forsyth, Farlie block can be argued to have historic merit especially the first Atlanta based Georgia State Capitol, the trajectory of history and historic identity is infinitely malleable and changing rapidly with each passing generation. The history of the Western Union building, and the Western Union telegraph Company may intersect with both economic and labor history but the nature of its waning importance economically and practically indicates why its story is not preserved or considered significant. Much like the rapid change from horse drawn carriages to automobiles over the course of the early 20thcentury, the decline of the telegraph and the rapid advancement of the telephone warrants that the story of the Western Union Building only exist as a relatively forgotten footnote in Atlanta history. Timothy J Crimmins utilizes the Walter Havinghurst quote, arguing, “The past is not the property of historians, it is a public possession. It belongs to anyone who is aware of it grows by being shared.”[31] This quote allows Crimmins to segway into the realm of public history describing the expansion of the field stemming for the NHPA of 1966 and the growing cooperation between historic preservation and urban planning. This quote also helps to understand that the fields of historic preservation and public history have an inherently more democratic role in establishing what is significant than individual historians. The reality that the story of the Western Union Building is not as prevalent as others shows directly that there is a popular consensus in determining what stands as significant to historic identity and therefore what should be preserved and studied.

Crimmins describes how Atlanta serves as a unique example in attempting to piece together the connection to the past through the present. Specifically, Crimmins says that the changes wrought by economic and technological advancements regarding Atlanta have left much of the heart of Atlanta with little remains in linking the present to the past. Crimmins states that, “The public history issue is one of devising a course of action which would permit citizens to identify the present configuration with that of the nineteenth century.”[32] This problem of reorienting and reconnecting the present area of downtown Atlanta with its historic identity remains a challenge.

In considering the challenges in piecing together historic identity from the remaining built environment of Atlanta, Elizabeth A. Lyon argues that the fields of history and historic preservation must work together in a more efficient manner. Lyons states that, “The problem, however, is not so much the removal of history from historic preservation, as others have observed. The problem is that we often lack the historical information needed to measure and evaluate the historical significance of archeological and structural properties.”[33] This argument points to the heart of the problem, that sometimes changes in the built environment necessitated by technological and economic changes move faster than historic research and preservation. With the example of the Marietta, Forsyth, Farlie block, the most historic property, the Kimball Opera house, and Georgia State Capitol had been razed in 1900, 66 years before the National Historic Preservation Act was passed and 6 years before the Antiquities Act was passed. The Atlanta Union Station, Austell building, and Atlanta Journal were all demolished in the 1970s as well. While it can be difficult to piece together the identity of the past through the present when considering the built environment and the buildings which were demolished along the way, the most important remaining action stands in preserving what is left.

 

Conclusion

The only remaining building, the Marietta Carrier Hotel currently occupied by Digital Realty may not be on the National Register of Historic Places, but its significance as a grounding point for all the buildings that have been on the same block makes it worthy of local historic preservation. Though the first Atlanta based Georgia State Capitol may have been razed 123 years ago, and all other buildings on the block have been demolished, the history of all the structures of the block can be reoriented through the preservation of the current building. Once again, this topic returns to the introspective nature of historic identity and preservation of this identity through the built environment. While the current state of the block may not seem to have historical significance on a surface level observation, the simple reality that the seat of Georgia’s government was moved to this location from Milledgeville set in motion significant changes that ultimately defined the history of Atlanta. While the structures that made this history cannot be replaced, the importance of reconnecting the present to the past in the Atlanta downtown area is still a worthy aspect of preservation.

 

 

Do you like the site? If so, join us for free by clicking here.

 

 

 

 

 

 

Bibliography

  "Telegraphers Call a Strike at Western Union Tonight." New York Times. May 31, 1971. https://www.proquest.com/historical-newspapers/telegraphers-call-strike-at-western-union-tonight/docview/119326236/se-2.

  1972 September. Central Atlanta Progress. Inc. Photographs. VIS 139.21.01. Kenan Research Center at the Atlanta History Center.

  Account Book 1885-1889. William B Miles Account Book. MSS236f. Folder 1. Kenan Research Center at the Atlanta History Center.

AJCN005-041b. Atlanta Journal-Constitution Photographic Archives. Special Collections and Archives. Georgia State University Library, 1950. https://digitalcollections.library.gsu.edu/digital/collection/ajc/id/14049/ .

 Atlanta Georgia Government. "Georgia State Capitol.” Accessed October 1, 2023. https://www.atlantaga.gov/government/departments/city-planning/office-of-design/urban-design-commission/georgia-state-capitol.

    Atlanta. Map. Atlanta Georgia. Foote and Davies Company. 1919. From Library of Congress. Map Collections. https://www.loc.gov/item/75693190/. (Accessed September 28, 2023).

  Brown-Randolph Co. V Guide Et Al., No.2032. 106 S.E. 161,151 GA 281, Supreme Court of Georgia, 1921.

  City Directory. Atlanta Georgia. 1910.  https://www.ancestrylibrary.com/imageviewer/collections/2469/images/12245934?ssrc=&backlabel=Return.

Atlanta, Georgia, City Directory, 1920, 583-584, https://www.ancestrylibrary.com/imageviewer/collections/2469/images/12230775?ssrc=&backlabel=Return

Atlanta, Georgia, City Directory, 1940, 837, https://www.ancestrylibrary.com/imageviewer/collections/2469/images/12164878?ssrc=&backlabel=Return

  Cleaton, J. D.. "Forsyth Street Viaduct, 1907." 1907. September 28, 2023. http://digitalcollections.library.gsu.edu/cdm/ref/collection/guidebook/id/141.

Corson, Pete. “Photos: Former Atlanta Constitution and Journal buildings.” The Atlanta Journal Constitution, June 14, 2018. https://www.ajc.com/news/local/photos-former-atlanta-constitution-and-journal-buildings/ndwtDtspsH27pLQvT3H98L/.

Crimmins, Timothy J. “The Past in the Present: An Agenda for Public History and Historic Preservation.” The Georgia Historical Quarterly 63, no. 1 (1979): 53–59. http://www.jstor.org/stable/40580077.

  Downs, Billy, Photographer. AFL-CIO United Telegraph Workers on Strike Against Western Union. 1971, Atlanta Journal Constitution. https://digitalcollections.library.gsu.edu/digital/collection/ajc/id/1270/rec/3.

  Elliott, Michael. “Reconceiving Historic Preservation in the Modern City: Conflict and Consensus Building in Atlanta.” Journal of Architectural and Planning Research 16, no. 2 (1999): 149–63. http://www.jstor.org/stable/43030496.

“Gay Atlanta Map of Downtown Atlanta.” Atlanta Time Machine. Accessed September 30, 2023. http://atlantatimemachine.com/.

Kimball Opera House. Atlanta History Photograph Collection. VIS 170.2583.001. Kenan Research Center at the Atlanta History Center.

  Lyon, Elizabeth A. “Cultural and Environmental Resource Management: The Role of History in Historic Preservation.” The Public Historian 4, no. 4 (1982): 69–86. https://doi.org/10.2307/3377048.

  McWilliams, Jeremiah. “Study: ‘Gulch’ impact hefty.” The Atlanta Journal Constitution, Jan 29, 2012. https://www.ajc.com/news/study-gulch-impact-hefty/YNv4JB0YYk77PDSBbvg34L/.

  Miles, Richard. Western Union Strike Idles 450 in Georgia. The Atlanta Constitution. 1972. https://www.newspapers.com/article/118359555/the-atlanta-constitution/.

  Nonnenmacher, Tomas. “History of the U.S. Telegraph Industry”. EH.Net Encyclopedia, edited by Robert Whaples. August 14, 2001. URL http://eh.net/encyclopedia/history-of-the-u-s-telegraph-industry/

  Perry, Chuck. "Atlanta Journal-Constitution." New Georgia Encyclopedia, last modified Sep 11, 2019. https://www.georgiaencyclopedia.org/articles/arts-culture/atlanta-journal-constitution/

Reed, Wallace Putnam. History of Atlanta, Georgia, with Illustrations and Biographical Sketches of Some of Its Prominent Men and Pioneers. Syracuse, NY: D. Mason & Co. 1889.

  Sanborn Map Company. "Insurance maps, Atlanta, Georgia, 1911 / published by the Sanborn Map Company." 1911. Accessed September 28, 2023. https://dlg.usg.edu/record/dlg_sanb_atlanta-1911#item.

  Union Station. Floyd Jillson Photographs. VIS 71.72.25, Kenan Research Center at the Atlanta History Center.

  Union Station. Kenneth Rogers Photographs. VIS 88.625.05, Kenan Research Center at the Atlanta History Center.

  Unknown. "Austell Building." 1906. September 28, 2023. http://album.atlantahistorycenter.com/cdm/ref/collection/athpc/id/1242.

 

References

[1] Kimball Opera House, Atlanta History Photograph Collection, VIS 170.2583.001, Kenan Research Center at the Atlanta History Center.

[2] Wallace Putnam Reed, History of Atlanta, Georgia, with Illustrations and Biographical Sketches of Some of Its Prominent Men and Pioneers, (Syracuse, NY: D. Mason & Co., 1889), 163.

[3] Wallace Putnam Reed, History of Atlanta, Georgia, with Illustrations and Biographical Sketches of Some of Its Prominent Men and Pioneers, (Syracuse, NY: D. Mason & Co., 1889), 165.

[4] "Georgia State Capitol”, Atlanta Georgia Government, Accessed October 1, 2023, https://www.atlantaga.gov/government/departments/city-planning/office-of-design/urban-design-commission/georgia-state-capitol.

[5] Account Book 1885-1889, William B Miles Account Book, MSS236f, Folder 1, Kenan Research Center at the Atlanta History Center.

[6] Unknown. "Austell Building." 1906. September 28, 2023. http://album.atlantahistorycenter.com/cdm/ref/collection/athpc/id/1242.

[7] Account Book 1885-1889, William B Miles Account Book, MSS236f, Folder 1, Kenan Research Center at the Atlanta History Center.

[8] Account Book 1885-1889, William B Miles Account Book, MSS236f, Folder 1, Kenan Research Center at the Atlanta History Center.

[9] Cleaton, J. D.. "Forsyth Street Viaduct, 1907." 1907. September 28, 2023. http://digitalcollections.library.gsu.edu/cdm/ref/collection/guidebook/id/141 .

[10] Sanborn Map Company, "Insurance maps, Atlanta, Georgia, 1911 / published by the Sanborn Map Company", 1911, (Accessed September 28, 2023), https://dlg.usg.edu/record/dlg_sanb_atlanta-1911#item .

[11] Atlanta, Map, Atlanta Georgia, Foote and Davies Company, 1919, From Library of Congress, Map Collections, https://www.loc.gov/item/75693190/. (Accessed September 28, 2023).

[12] Atlanta, Georgia, City Directory, 1910, 64, 116, https://www.ancestrylibrary.com/imageviewer/collections/2469/images/12245934?ssrc=&backlabel=Return.

[13] Brown-Randolph Co. V Guide Et Al., No.2032. 106 S.E. 161,151 GA 281, Supreme Court of Georgia, 1921.

[14] Atlanta, Georgia, City Directory, 1920, 583-584, https://www.ancestrylibrary.com/imageviewer/collections/2469/images/12230775?ssrc=&backlabel=Return

[15]Atlanta, Map, Atlanta Georgia, Foote and Davies Company, 1919, From Library of Congress, Map Collections, https://www.loc.gov/item/75693190/. (Accessed September 28, 2023).

[16] Atlanta, Georgia, City Directory, 1940, 837, https://www.ancestrylibrary.com/imageviewer/collections/2469/images/12164878?ssrc=&backlabel=Return

[17] Union Station, Kenneth Rogers Photographs, VIS 88.625.05, Kenan Research Center at the Atlanta History Center.

[18] Union Station, Floyd Jillson Photographs, VIS 71.72.25, Kenan Research Center at the Atlanta History Center.

[19] “Gay Atlanta Map of Downtown Atlanta”, Atlanta Time Machine, Accessed September 30, 2023, http://atlantatimemachine.com/ .

[20] AJCN005-041b, Atlanta Journal-Constitution Photographic Archives. Special Collections and Archives, Georgia State University Library, 1950, https://digitalcollections.library.gsu.edu/digital/collection/ajc/id/14049/ .

[21] "Telegraphers Call a Strike at Western Union Tonight." New York Times, May 31, 1971. https://www.proquest.com/historical-newspapers/telegraphers-call-strike-at-western-union-tonight/docview/119326236/se-2.

[22] Billy Downs, AFL-CIO United Telegraph Workers on Strike Against Western Union, 1971, Atlanta Journal Constitution, https://digitalcollections.library.gsu.edu/digital/collection/ajc/id/1270/rec/3 .

[23] Richard Miles, Western Union Strike Idles 450 in Georgia, The Atlanta Constitution, 1972, https://www.newspapers.com/article/118359555/the-atlanta-constitution/

[24] Tomas Nonnenmacher, “History of the U.S. Telegraph Industry”. EH.Net Encyclopedia, edited by Robert Whaples. August 14, 2001, http://eh.net/encyclopedia/history-of-the-u-s-telegraph-industry/.

[25] Chuck Perry, "Atlanta Journal-Constitution." New Georgia Encyclopedia, last modified Sep 11, 2019. https://www.georgiaencyclopedia.org/articles/arts-culture/atlanta-journal-constitution/.

[26] Pete Corson, “Photos: Former Atlanta Constitution and Journal buildings”, The Atlanta Journal Constitution, June 14, 2018, https://www.ajc.com/news/local/photos-former-atlanta-constitution-and-journal-buildings/ndwtDtspsH27pLQvT3H98L/.

[27] 1972 September, Central Atlanta Progress, Inc. Photographs, VIS 139.21.01, Kenan Research Center at the Atlanta History Center.

[28] Jeremiah McWilliams, “Study: ‘Gulch’ impact hefty”, The Atlanta Journal Constitution, Jan 29, 2012, https://www.ajc.com/news/study-gulch-impact-hefty/YNv4JB0YYk77PDSBbvg34L/.

[29]Michael Elliot, “Reconceiving Historic Preservation in the Modern City: Conflict and Consensus Building in Atlanta.” Journal of Architectural and Planning Research 16, no. 2 (1999): 149–63. http://www.jstor.org/stable/43030496.

[30]  Michael Elliot, “Reconceiving Historic Preservation in the Modern City: Conflict and Consensus Building in Atlanta.” Journal of Architectural and Planning Research 16, no. 2 (1999): 149–63. http://www.jstor.org/stable/43030496.

[31]Timothy J Crimmins, “The Past in the Present: An Agenda for Public History and Historic Preservation.” The Georgia Historical Quarterly 63, no. 1 (1979): 53–59. http://www.jstor.org/stable/40580077.

[32] Timothy J Crimmins, “The Past in the Present: An Agenda for Public History and Historic Preservation.” The Georgia Historical Quarterly 63, no. 1 (1979): 53–59. http://www.jstor.org/stable/40580077.

[33]Elizabeth A Lyon, “Cultural and Environmental Resource Management: The Role of History in Historic Preservation.” The Public Historian 4, no. 4 (1982): 69–86. https://doi.org/10.2307/3377048.

The Deep South has a history of racial animosity, but what happened when somebody tried to unite whites and blacks? Well, in Great Depression era Atlanta, Angelo Herndon tried to do just that. And he did so as a committed Communist. Bennett H. Parten returns to the site and explains what happened when the authorities tried to prosecute Herndon under an antiquated law…

General Research Division, The New York Public Library. (1926 - 1947). Let me live : the autobiography of Angelo Herndon. Retrieved from http://digitalcollections.nypl.org/items/510d47db-d7dc-a3d9-e040-e00a18064a99

General Research Division, The New York Public Library. (1926 - 1947). Let me live : the autobiography of Angelo Herndon. Retrieved from http://digitalcollections.nypl.org/items/510d47db-d7dc-a3d9-e040-e00a18064a99

Atlanta, Georgia is an anomaly, if not an oxymoron. It’s a commercial and industrial oasis in the middle of an agricultural desert, a regional capitol with an international profile, and an emblem of the Old South with an insatiable appetite for modernity. In the early 1930s, the city’s exceptionality emerged again as it somehow juggled being both a hub for Communist activity and a bastion of conservatism. The city, sadly, could only juggle this thorny coexistence for so long.

Fueled by civic boosterism and an influx of Northern capital, Atlanta experienced a period of rapid growth during the first few decades of the 20th century; however, the dawning of the Great Depression brought the engines churning industrial development to a screeching halt. As a result, unemployment lines swelled, the number of homeless grew, and wages were cut, leaving many to survive off of the city’s limited relief budget.

Enter Angelo Herndon. Born in Ohio, Herndon arrived in Atlanta by way of Kentucky and Alabama. While working for the Tennessee Coal, Iron, and Railroad Company in Birmingham, he was exposed to Communism through various labor organizers drifting through the Deep South. Officially joining the party in 1930, Herndon became an organizer and gained a degree of notoriety in Alabama, prompting a string of arrests and his eventual migration to Atlanta.

 

A volatile city

By the time he arrived in 1932, Atlanta’s relief situation had reached boiling point. The city’s relief budget was exhausted and payments were suspended. A number of citizens pushed the county commissioners to alter the budget so that there was more relief funding, but a number of commissioners believed the level of suffering in the city had been exaggerated, demanding that evidence of such hunger and starvation be proven before altering the budget. In a show of force, Herndon organized and led a “hunger” march on the courthouse in Atlanta that, by the time it was finished, accrued close to 1,000 angry workers demanding a continuation of the relief payments.

Never before had the city seen such a concerted statement on behalf of its working men and women. The march frightened Atlanta’s conservative commercial elite, revealing to them just how volatile and unstable the city had become. What frightened them the most, however, was the social make-up of the marchers. Poor whites as well as poor blacks marched step by step with one another, breaking Jim Crow South’s rigid social hierarchy. Interracial class solidarity on the part of the working men and women would, in the eyes of the business elite, only breed more discontent and challenge the city’s traditional conservative political leadership.

Their response was to simply destroy the movement by attacking where they believed it began: the Communists. Atlanta police began targeting suspected organizers and kept a watchful eye on the post office since the only piece of evidence on the leaflets used to announce the protest was a return address marked P.O. Box 339. Eleven days after the march, on July 11, 1932, Angelo Herndon was arrested while retrieving mail from the box in question.

Herndon was formally charged by an all-white grand jury with “attempting to incite insurrection” under an old statute originally designed to prevent slave insurrections. He received legal counsel from the International Labor Defense, better known as the ILD, whom placed noted Atlanta attorneys Benjamin Davis Jr, the son of a prominent Atlanta newspaper editor and Republican politician, and John Geer at the head of the Herndon case. The two young black lawyers designed a defense that sought to attack the constitutionality of the antiquated insurrection law and Georgia’s judiciary system by calling into question Georgia’s informal practice of excluding African Americans from serving on juries; Herndon’s defense would thus be one that would attempt to strike a major blow to the justice system’s role in preserving Georgia’s Jim Crow laws in addition to exonerating Herndon.

 

The trial

But Georgia’s seasoned justice system would not go down without a fight. As the trial commenced, the defense team set its sights toward the legality of all-white grand juries like the one that indicted Herndon. All of the witnesses testified that there had not been a black participant on a grand jury in recent memory, but in the absence of proof that African Americans had been systematically excluded, Judge Wyatt, whom Davis had said “used the law with respect to Negroes like a butcher wielding a knife to kill a lamb,” would not be moved (Davis 62-63). The legal team left the courtroom after the first day in an air of defeat.

The second day started off much better for the defense. The duo of Greer and Davis, with the help of attorneys A.T. Walden and T.J. Henry, launched an attack on the prospective jurors, getting one to confess to Ku Klux Klan membership. The team eventually landed on twelve jurors deemed suitable. The charge of insurrection was then debated. Atlanta policemen Frank Watson was the first to testify, reading off a list of items found in Herndon’s room. The list included rather harmless materials such as membership and receipt books, but Herndon did possess two books, George Padmore’s The Life and Struggles of Negro Toilers and William Montgomery Brown’s Communism and Christianism, that emphasized the Communist Party’s policy of self-determination for the South’s “Black Belt”, a stretch of land in the heart of the Deep South that housed large numbers of African Americans. The prosecutor, accompanied by a large map of Georgia, pointed out to the jury that under this policy a large majority of the state would fall under black political leadership, all but destroying the state’s white political stranglehold. But even with this evidence, Davis’s cross examination of Watson revealed that Watson never actually witnessed Herndon distribute radical literature or give a speech with revolutionary intent; Watson had merely seen Herndon checking his mail.

When Angelo Herndon took the stand, the momentum won with the Watson cross-examination again shifted away from the defense. In the witness stand, Herndon unleashed quite an oration, one more idealistic than inflammatory. He unabashedly emphasized the interracial aims of the party, pointing out the immense levels of suffering of both poor whites and poor blacks. He described the horrid conditions of the Fulton County jail, claiming that he had to share a jail cell with a dead man whom was denied proper medical treatment. His most radical claims, though, were made when he blamed the capitalist regime for race baiting, constantly pitting white versus black as a substitute for the natural animosities between the rich and the poor. Needless to say, Herndon’s own testimony did not do him any favors with the jury.

 

Closing the trial

As for the closing remarks, each of the four attorneys—two defense counselors and two prosecutors—took turns. When it came time, Benjamin Davis, vaunted for his oratory skills, released an emotional critique of the justice Herndon had been served. He charged that Herndon had simply been attempting to better the conditions of Atlanta’s working people in a peaceful way as the march on the courthouse was not violent nor did it cause any harm. According to Davis, Herndon was charged not for inciting insurrection but for being black, and his attempts to unite both races for the common welfare should be lauded. Davis’s remarks drew ire from the whites in the courtroom as well as those in the jury. Whenever he approached the jury box during his summation some of the jurors refused to listen and turned their backs on him. Davis, unfazed, went on. He read from one of the radical pamphlets found in Herndon’s possession that described the lynching and burning of a pregnant black woman. The description was so graphic and Davis’s dramatization so intense, one spectator fainted.

His summation hinged on the inherent irony of supposed “justice” in Georgia: a peaceful interracial Communist protest was condemned as insurrectionary while the justice system turned a blind eye to lynchings and other forms of racial oppression. He concluded his remarks by stating that if a guilty verdict was served, it would be derived only from the “basest passion of race prejudice”, and such a verdict would be “making scraps of paper out of the Bill of Rights” and the Constitutions of both the United States and Georgia (Herndon 351-354). Sadly, such an impassioned plea for justice was rendered fruitless as the white jury found Herndon guilty as charged.

But the battle was not over. Almost immediately, Davis and company submitted their appeal. Over the course of five years, their appeals garnered almost no headway at the national or local level. Finally, in 1937, with his case in the national spotlight—and Let Me Live, Herndon’s newly published autobiography on the bookshelves of civil libertarians and liberal thinkers nationwide—the Supreme Court struck down Georgia’s insurrection stature, arguing that it violated the First Amendment. Herndon was exonerated, and Georgia, a bastion of white conservatism, was forced to release an avowed Communist and radical interracial labor organizer. Jim Crow obviously did not die with Angelo Herndon, but his victory stood as a major blow to conservative Georgia’s ability to deal out so called “justice” in the courtroom.

 

Did you find this article thought provoking? If so, tell the world! Share it, like it, or tweet about it by clicking on one of the buttons below!

Bibliography

Davis, Benjamin J. Communist Councilman from Harlem: Autobiographical Notes Written In A Federal Penitentiary. New York: International Publishers, 1991.

Hatfield, Edward A. "Angelo Herndon Case." New Georgia Encyclopedia. 03 December 2013. Web. 30 June 2015.

Herndon, Angelo. Let Me Live. Ann Arbor: University of Michigan Press, 2007.

Martin, Charles H. The Angelo Herndon Case and Southern Justice. Baton Rouge: Louisiana State University Press, 1976.